In the house of Dane — a parable 

The Boy in the Doorway

A parable of the familiar path

Prologue
This is a story about a man who tried to think his way out of a wound that was never made of thought.
I wrote it after looking honestly at three years of my own blog — every post, every pattern, every place I repeated myself without noticing. What I found was not a story of healing. It was a story of a man circling the same house, getting a little closer to the door each time.
I have given the man a name. I call him Dane, because it is easier to tell the truth about someone standing a few feet away from you. Everything that happens to him happened.

Not to go on all-fours; that is the Law. Are we not Men?
“Not to suck up Drink; that is the Law. Are we not Men?
“Not to eat Fish or Flesh; that is the Law. Are we not Men?
“Not to claw the Bark of Trees; that is the Law. Are we not Men?
“Not to chase other Men; that is the Law. Are we not Men?” [1]

The chant then shifts to the origin of their creation and the consequence of breaking the rules:

“His is the House of Pain.
“His is the Hand that makes.
“His is the Hand that wounds.
“His is the Hand that heals.” [1]

When Doctor Moreau confronts them about breaking the rules, the penalty is clear:

‘Who breaks the Law,’ said Moreau, taking his eyes off his victim and turning towards us… ‘-goes back to the House of Pain,’ they all clamoured; ‘goes back to the House of Pain, O Master!’ [1]

— HG Wells

The island of Dr. Morrow 

The parable does not end. That is the point of it.

  1. The House That Taught Silence
    There was a house in a modest neighborhood where the money was thin and the love was thinner.
    The house had a rule. The rule was never written down, because the best rules never are. The rule was: do not make noise about what hurts.
    A boy lived there. He learned the rule the way children learn language — by breathing it. He learned that tears were a kind of weather you apologized for. He learned to read a man’s footsteps the way sailors read a sky.
    His father was the weather.
    Not a monster. Something more ordinary and more permanent than a monster. A man who was insecure and called it strength, who was frightened and called it authority, who had been given nothing and so had nothing to hand down but the shape of his own hunger. Once, he told his son the whole philosophy of his life in eight words: all you do is work and then you die.
    He did not teach the boy about love. This was not cruelty. He simply did not have the file.
    So the boy grew up in a house where the emotions were real and the vocabulary was missing. That is what people mean by childhood emotional neglect. Nobody hits you. Nobody starves you. Nobody comes. You are fed, clothed, and unaccompanied. And because nothing happened, you spend the next forty years unable to explain why you feel like something did.
    Here is the cruelest part, and it is quiet: a child cannot conclude that his parents are limited. A child can only conclude that he is not worth the trouble. He does the math alone, with no one to correct it, and he carries the answer like a stone in his shoe for the rest of his life.
  2. The Doorway
    There is one image the boy could never get rid of.
    He is standing in a doorway. He has been promised something small — a game, an hour, an afternoon. He is waiting. He is not crying, because of the rule. He is just standing there, arranging his face into something that will not be a burden.
    Nobody comes.
    That doorway is the most important room in the house, because the boy never actually leaves it. He grows tall. He gets a job. He learns to shave and to drive and to be charming at parties. But some part of him stays in that doorway forever, listening for footsteps, ready to be good enough to earn them.
    Decades later, a woman will take six hours to answer a text message, and a fifty-year-old man will feel his chest go hollow, and he will not understand why the reaction is so much larger than the event.
    The doorway. It was always the doorway.
  3. The Boy Who Built a Library
    Now, the boy had one gift, and it was a real one. He was curious. Ferociously, stubbornly curious.
    Nobody in that house was going to explain the human heart to him, so he went and got the books himself. He studied psychology. Then he studied philosophy, because psychology told him how people break and philosophy asked whether it mattered. He read the warm ones who talked about love as a learnable skill. He read the ones who talked about the mind creating its own conditions. He read a man named Bowlby, who had figured out that the way we are held as infants becomes the way we reach for people as adults.
    He read about a rat in a cage that pushes a lever to get a pellet of food. And he sat with that one a long time, because he recognized himself in it, and it was not flattering. What lever am I pushing? What am I pushing it for?

He built himself a library where a father should have been.
And here is where I have to be fair to him, because it would be easy to make this the joke. It was not nothing. It was survival. A boy raised in a house with no emotional language went out and taught himself the language. That takes a kind of courage nobody claps for. He became articulate about the exact thing that had silenced him. He grew up to be a man who wrote — poems, essays, hundreds and hundreds of them — because a child who was not allowed to make noise about his pain will spend his adulthood finding a permitted way to be loud.
He even named his blog after a thunder god. Think about that for a second. A quiet boy from a silent house grows up and calls himself thunder.
He was a Viking in California. He was, at last, allowed to be loud.

  1. The Woman Behind the Glass
    Then he met her.
    She was strong and beautiful and guarded, and she had come out of a house not unlike his own. He felt it immediately — that hum of recognition, that click, the sense that a stranger is somehow already familiar.
    He believed this was destiny. Everyone does. It is the most reliable mistake human beings make.
    It was not destiny. It was familiarity. His nervous system had been trained since childhood to recognize a very specific signal — love that must be earned from someone who withholds it — and here it was again, in a lovely new form, and every alarm in him rang like a bell and he mistook the alarm for a hallelujah.
    She was built the opposite way. Where he had learned to chase, she had learned to leave the room. He needed closeness to prove he was safe. She needed distance to prove the same thing. Two children afraid of echoes, standing in each other’s blast radius.
    He wrote her more than six hundred poems.
    I want to let that number sit there for a moment. Six hundred. A man in his fifties, writing poems into what was, functionally, a very well-lit hallway. She did not finish reading them. Of course she didn’t. He was not really writing to her. He was writing to a doorway.
    And when she pulled away — and she always pulled away, that was her nature, that was her wound doing its job — he did not feel a woman withdrawing. He felt his father’s eyes going through him like he was made of air.
    That is the whole engine of the thing. She was not the author of his worthlessness. She was just the newest person standing where the light hit it.
  2. The Man Who Became a Bridge
    Now Dane did something clever, and I mean that as an accusation.
    He noticed the pattern. He named it. He identified her attachment style and his own with real precision. And then, having correctly diagnosed a two-person problem, he appointed himself the doctor.
    He wrote her instructions for her own healing. He offered to be her guide. He announced that he had grown out of his anxious attachment and into something more secure — and he announced it in the same breath in which he vowed never to stop pursuing a woman who had told him, clearly and repeatedly, that she was not able to be pursued.
    He became the bridge maker. Endlessly building a crossing toward someone who was not walking, and calling it devotion.
    Here is the joke, and it is on him, and I am the one telling it, so I am allowed: rescue was the anxious strategy wearing a nicer coat.
    If you can be indispensable to someone’s recovery, you never have to find out whether you would be wanted without a job to do. It is approval-seeking with a clipboard. It is the doorway, remodeled. The boy waiting to be worth an afternoon became the man waiting to be worth a lifetime, and he dressed it up as generosity, and he almost got away with it.
  3. The Audit
    Then came the part that actually mattered, and it did not look like a triumph. It looked like a man alone with a spreadsheet.
    Dane went back and read his own three years. All of it. And he did the bravest thing available to a person who writes for a living: he read himself as evidence instead of as testimony.
    What he found was not flattering, which is how you know it was true.

He found that he had memorized the entire chart of attachment theory and then walked directly into the pattern anyway, with full knowledge, like a man who studies fire safety and then goes to sleep holding a candle. He found that he had learned all the words for the wound and used them mostly as anesthetic. He had intellectualized his pain so thoroughly that he never had to feel it — and he had mistaken that for progress, and he had written it up beautifully, and the beauty was part of the defense.
He found that in three years of writing, his language about wanting to be enough did not decrease. It increased. Even in the wise posts. Even in the healed-sounding ones.
He found that the woman he had spent three years describing was, at least partly, a mirror. He does not know her inner life. He knows his own perception of it, which he had been presenting as reportage.
And he found the pattern that explains all of the others, and he had written the definition himself without noticing what he was confessing:

A thought, repeated, becomes a familiar path. A familiar path becomes a habit. A habit becomes a character.

He had not been walking toward love. He had been walking a groove. And he had been walking it since he was seven years old.

  1. The Two Keys
    There is one more image, and it is the one I would leave with anyone who has read this far.
    Dane used to write about a prison. In it, a man is both the prisoner and the guard. He suffers the sentence and he enforces it. He rattles the bars and he holds the ring of keys, and he does not know he is holding them, because they have been in his hand so long that he has stopped feeling their weight.
    That is what the wound does. It does not just hurt you. It recruits you. It makes you its most reliable employee.
    Dane is not free. Let me be extremely clear, because there is a whole industry built on pretending otherwise. He still flinches when affection is delayed. He still reaches for a name that will not answer. He still catches himself auditioning for a role called worthy, before a judge who has never once shown up to hear the case.
    But something has changed, and it is small, and it is everything.
    He knows the sound of his own footsteps on the familiar path now. He can be halfway down it, longing and alarmed and composing the next poem in his head, and some quiet part of him will say: I have been here. This is not love. This is the groove.
    That is not enlightenment. It is not a cure. It is just the first honest map of a country he used to walk blindfolded.
  2. The Road That Is Not Finished
    There is a door in this story that Dane has not opened.
    He can tell you exactly what his father did. He has written the origin a hundred times, from a hundred angles, with real precision and real pain. He has even written down the solution — he has said plainly that the only way out is forgiveness.
    And then he stopped writing.
    He has never turned around and looked at the man himself. Not the weather — the man. The boy his father used to be, in whatever silent house made him. The file his father did not have, and who failed to give it to him.
    That is the unwritten chapter. Dane knows it is there. He is not ready, and he has stopped lying to himself about the reason: it is not that the work is unclear. It is that forgiveness would mean setting down the last thing the doorway ever gave him, which is the right to be owed.
    So the quest is unfinished. The seeker is still on the road. And I have come to believe that this is not the failure of the story but the whole shape of it — because self-actualization was never a summit with a flag on it. It is a practice. It is an ongoing act of becoming, chosen again on an ordinary Tuesday, usually without an audience.
  3. If You Are Reading This From the Doorway
    You may know this house. If you do, I will not insult you with a formula. But Dane would want you to have four things he had to bleed for.
    Nothing happened to you, and it wrecked you, and both of those are true. You are not dramatic. You are not weak. Absence leaves a real mark. You are permitted to grieve a thing that never occurred.
    The math you did as a child was wrong. You concluded you were not worth the trouble because that was the only conclusion a child could reach alone. It was a reasonable answer to bad information. You are allowed to reopen the case.
    That click of recognition is not destiny. When someone feels instantly, magnetically familiar, ask a cold question: do I love this person, or do I know this feeling? Sometimes it is love. Often it is a groove, greeting you like an old friend and charging admission.
    Understanding is not healing, and this is the one that will insult you. You can read every book. You can name your attachment style at parties. You can write six hundred poems of exquisite insight. The mind is a magnificent hiding place, and the smartest people build the deepest ones. At some point the knowing has to come down out of the head and be felt in the body, in real time, with another human being in the room. That is the part no library can do for you.
    The boy is still in the doorway. Some days I go and sit with him instead of trying to fix him, which is newer for me than I would like to admit.

Nobody came. That was true. It will always be true.
But I am here now, and I am the one who knows the way out, and I have been holding the keys this whole time.
The road is not finished.
Good. That means I am still walking it.

DCG

We often talk about trauma in terms of what happened: the loud arguments, the physical marks, the moments of visible crisis. But there is another kind of trauma that is far more silent and, in many ways, much harder to identify because it is defined not by what happened, but by what didn’t.
This is childhood emotional neglect, or CEN. It’s the absence of emotional attunement. It’s the empty space where a parent’s curiosity, validation, and comfort should have been. Because it’s an invisible wound, the children who grow up in these environments often don’t realize anything is wrong. They simply adapt. They develop survival strategies that look to the outside world like personality traits or even good habits.
You might be praised for being the strong one, the independent one, or the easygoing one. But underneath that veneer of confidence lies a collection of behaviors designed to bridge a gap that was never meant to exist.
Take, for example, the habit of extreme hyper-independence. On the surface, being someone who can handle everything on their own is seen as a badge of honor in our society. You’re the person who refuses help, who figures out the complicated software at work without asking the IT department, and who manages a personal crisis without ever picking up the phone to call a friend.
But if we peel back the layers using a psychological lens, we often find a child who learned very early on that their environment was unresponsive. When a child reaches out for help or comfort and consistently meets a wall of indifference, distraction, or irritation, the brain performs a radical calculation: asking for help is a risk that leads to rejection. Therefore, I must be my own source of everything.
This isn’t just self-sufficiency; it’s a trauma response. It’s a defense mechanism rooted in the belief that people are fundamentally unreliable. When you refuse help as an adult, you aren’t just being productive. You are protecting yourself from the crushing disappointment of having a need that goes unmet.
This leads directly into another seemingly normal habit: the inability to identify what you’re feeling, often referred to in psychology as a degree of alexithymia. You might find yourself in a situation where someone asks, “How do you feel about that?” and your mind goes completely blank. It’s not that you’re being secretive; it’s that you genuinely do not know.
In a healthy childhood, parents act as emotional mirrors. When a toddler’s crying, the parent says, “You’re feeling frustrated because that toy broke.” This labels the internal sensation and validates its existence. But in a neglectful home, that mirroring never happens. The child’s emotions are treated as invisible, or worse, as an inconvenience.
To survive, you learn to mute your inner world. You disconnect the wires between your body sensations and your conscious mind because feeling those emotions was useless. There was no one there to help you process them. As an adult, this manifests as a flat emotional life where you feel like you’re observing the world through a pane of glass, wondering why everyone else seems so much more connected to their passions and pains than you are.
Another habit that often goes unnoticed is the compulsion to overexplain or justify your actions even when no one has questioned you. Have you ever found yourself giving a three-minute backstory for why you were five minutes late, or justifying why you bought a specific brand of bread?
This usually stems from growing up in an environment where your needs and boundaries weren’t inherently respected. You learned that to have a preference or to make a mistake required a case to be built. You had to prove that your actions were logical and irreproachable to avoid being dismissed or criticized. You’re essentially preemptively defending yourself against a neglectful or judgmental ghost from your past. You don’t feel like you have the right to simply be, or to make choices without an accompanying dissertation on why those choices are valid.
Then there is the apology reflex. This is the habit of saying, “I’m sorry,” for things that aren’t your fault, or even for simply taking up space. You apologize when someone bumps into you in the grocery store. You apologize for asking a question in a meeting. You apologize for your house being messy when there’s a single book out of place.
This habitual apologizing is a sign of a deeply internalized sense of being a burden. If you grew up feeling like your presence was an imposition on your parents—perhaps they were perpetually exhausted, depressed, or simply uninterested—you learned to shrink. You learned that the safest way to exist is to be as small and as low-maintenance as possible.
The apology is a way of saying, “I’m sorry for needing space. I’m sorry for existing in your field of vision.” It is the verbal manifestation of a child who was taught that their needs were a secondary concern to the comfort of the adults around them.
This brings us to a particularly subtle behavior: the social-chameleon effect. You might notice that you are incredibly good at reading a room. You can sense a shift in someone’s mood before they even realize it themselves. You adapt your personality, your tone, and your opinions to match whoever you are with.
On the surface, this looks like high emotional intelligence or people skills. But for those who experienced emotional neglect, this is often a hypervigilant survival tactic. Because your parents didn’t provide a stable emotional baseline, you had to become an expert at monitoring their moods to ensure your own safety, or to find the right moment to ask for something.
You became a mirror because you weren’t allowed to have a solid self. Now, as an adult, you might feel like a different person depending on who you’re talking to, leaving you with a haunting question: “Who am I when no one is watching?” This lack of a core identity is a direct result of not having your unique traits and emotions reflected back to you during your formative years.
Furthermore, there is the habit of the second guess. This is an internal dialogue that questions every decision, no matter how small: “Should I buy this shirt? Did I sound stupid in that email? Do my friends actually like me, or are they just being polite?”
When a child’s reality is consistently ignored or denied by their caregivers, a process sometimes called gaslighting by omission, the child loses trust in their own perception of the world. If you said, “I’m sad,” and your parent responded with, “No, you’re not. You’re just tired,” or simply ignored the statement, you learned that your internal compass was broken.
You stopped trusting your own feelings and started looking for external cues to tell you what was real. This creates a lifelong pattern of seeking reassurance and a chronic inability to feel confident in your own judgment, because the person who was supposed to help you build that confidence was essentially absent.
We also see this manifest in a very specific relationship dynamic: the caregiver role. You might find that you are the person everyone turns to with their problems. You are the therapist friend, the one who stays late to help a colleague, the one who fixes everyone else’s life while yours remains stagnant.
While this seems noble, it is often a way to avoid the vulnerability of being the one with needs. In your childhood, you may have discovered that the only way to get a positive response from your parents was to be useful. Maybe you took care of your younger siblings, or maybe you were the emotional support for a parent who couldn’t handle their own life.
You learned that your value is tied to what you can do for others rather than who you are. This creates a lopsided life where you’re surrounded by people who take, but you have no idea how to receive, because receiving feels dangerous. It feels like a debt you can’t possibly repay, or a trap designed to make you vulnerable.
When you grow up in an environment where your needs were secondary to a parent’s instability, receiving care feels like an anomaly. You’re waiting for the other shoe to drop. You think, “What do they want from me?” or “I don’t deserve this.”
This is why many adults who experienced emotional neglect find themselves in one-way friendships. You are the therapist, the fixer, the reliable one, the shoulder to cry on. But the moment you have a crisis, you disappear. You don’t call anyone. You retreat into your shell because, deep down, your subconscious believes that if you aren’t being useful, you are a burden.
This is the service-based-worth trap. It’s a habit of justifying your existence through labor because you were never taught that you are inherently valuable just for being alive.
This leads us into another normal habit that is actually a profound survival mechanism: extreme, almost pathological hyper-independence. You might pride yourself on never needing anyone. You handle your own taxes, your own car repairs, your own emotional breakdowns, and your own physical illnesses without ever picking up the phone.
On the surface, society applauds this. We call it resilience or strength. But in the context of developmental psychology, this is often a counter-dependency response. If you were neglected, you learned early on that the people who were supposed to protect you were either absent, unreliable, or overwhelmed. You learned that asking for help resulted in either a no, a sigh of frustration, or total silence.
To protect yourself from the crushing pain of being let down, you simply deleted the ask-for-help button from your internal operating system. Your hyper-independence isn’t a personality trait; it’s a fortress. It’s a way of saying, “If I don’t need you, you can’t hurt me by leaving or failing me.”
But look at the cost of that fortress. It’s lonely inside. When you refuse to be seen in your weakness, you also prevent yourself from being seen in your totality. True intimacy requires the risk of reliance. If you can’t rely on someone, you can’t truly connect with them.
Then there is the habit of chronic indecisiveness. Do you find it agonizingly difficult to choose what to eat for dinner, what movie to watch, or even what color shirt to buy? This isn’t just about being easygoing. For a child of neglect, having a preference was often a liability.
If you expressed a need or a want, it was ignored or mocked, so you learned to suppress your internal compass. You became a chameleon. You started looking at others to see what they wanted, and then you mirrored that. Over decades, this severs your connection to your own gut feeling.
When someone asks, “What do you want to do?” your mind goes blank. It’s not that you don’t have a preference; it’s that you’ve buried your preferences so deep to stay safe that you can no longer find them. You are constantly scanning the room for the correct answer, the one that will keep the peace or make everyone else happy, because you grew up believing that your own desires were irrelevant.
Perhaps the most heartbreaking habit is the apology reflex. You apologize for taking up space. You apologize when someone bumps into you. You apologize for asking a clarifying question at work. This is the hallmark of someone who was made to feel that their presence was an inconvenience.
If you were a child who was seen but not heard, or worse, not even seen, you developed a sense of existential guilt. You feel like you are constantly in the way. This apology is a preemptive strike. You are apologizing for your existence so that no one else has the chance to tell you that you don’t belong. It’s a way of shrinking yourself, of making yourself as small and low-maintenance as possible.
We also see this manifest in the way you handle conflict. Many people who suffered neglect are master avoiders. You might think you’re just chill or not one for drama, but in reality, you’re terrified of disagreement. In a neglectful home, any ripple in the water could lead to a total withdrawal of whatever crumbs of affection were available.
So you learn to swallow your anger, suppress your boundaries, and keep the peace at the cost of your own integrity. You became a people pleaser, not because you love making people happy, but because you are terrified of the silence that follows a conflict. To you, silence isn’t peace; silence is abandonment.
So where does this leave us? If you recognize yourself in these habits—the hyper-independence, the constant apologizing, the emotional numbing, the difficulty in making decisions—the first thing you need to realize is that there is nothing wrong with you. Your brain did exactly what it was supposed to do. It adapted to an environment of scarcity. It built these habits to keep you safe in a world where you weren’t being cared for.
But the environment has changed. You are no longer that helpless child. The survival gear you’ve been wearing for 20, 30, or 40 years is now becoming too heavy. It’s starting to chafe. It’s preventing you from experiencing the very love and connection you’ve always craved.
Healing from childhood neglect isn’t about fixing a broken version of yourself. It’s about reparenting the part of you that was left behind. It’s about learning for the first time that your needs are valid.
It starts with small, almost invisible steps. It’s saying, “I’d prefer the Italian place,” instead of saying, “I don’t care, you pick.” It’s waiting five seconds before saying, “I’m sorry,” when you haven’t done anything wrong. It’s allowing someone to help you carry a heavy box, even if you could do it yourself.
These habits were your armor, and you can thank that armor for getting you this far. It saved your life, but you are allowed to take it off now. You are allowed to be seen, to be heard, and to be a burden to the people who truly love you.
Because the truth is, the people who belong in your life won’t see your needs as a burden. They will see them as an opportunity to love you. You were never too much, and you were never not enough. You were simply a child who deserved to be noticed, and it’s time you finally started noticing yourself.

— sourced from studies of CEN 

The childhood I could not finish 

These words carry a profound influence on my own experience.
For much of my life, I have looked backward at the boy I was: what he endured, what he needed, what was absent, and what should have been there. I have known the exhausting desire to return to the scene of the wound and somehow make it come out differently—to finally win what was lost.
But there is a hard and merciful truth in this message. The child within us deserves compassion, not abandonment. Yet the adult self cannot remain forever at the locked door of the past, waiting for childhood to reopen and give back what it withheld.
Healing may not mean getting the childhood we deserved. It may mean grieving it honestly, laying down the impossible assignment of fixing it, and choosing—one difficult day at a time—to inhabit the life still waiting for us.

“In order to become an adult, you got to learn to let go of that childhood you didn’t get.
Like, you can’t pick up adulthood if you’re still holding on to whatever it was you missed as a kid—falling through the cracks of what your parents missed as a kid.
And I focus on this thought because I feel like growing into healing is growing into loss, and losing that.
And it’s interesting because when I look back on my childhood, I have two memories: memories of what happened, and the memories of what should have happened. And that keeps me from focusing on what’s happening now.
Every decision I make, I’m still trying to merge those somehow and win whatever I lost when I was a kid.
And so now I live in this world that I don’t enjoy because I adopted this mindset of this incomplete little boy trying to travel back in time and fix whatever wasn’t right.
How much easier would it be to just accept that part that was missed, instead of putting my adult development on hold to wait around for it?
Because childhood is not a progress bar. It’s not task-oriented. It ends with age. Whatever it was is what it was supposed to be.
It’s not a new responsibility, something you got to go back and complete. It’s done.
In order to become an adult, you got to learn to let go of that childhood you didn’t get.”

The Childhood I Could Not Finish


I kept a room inside my chest,
Where every missing thing could hide,
A little boy who would not rest,
Still waiting to be seen inside.
He held his breath beneath the years,
And listened for a turning key,
He learned to make a home of tears,
And called that ache the real of me.
I thought if I could walk back there,
Past broken voices, fear, and night,
I’d find some hand within the air,
And make the whole world come out right.
I thought that love delayed so long,
Could still arrive and change the past,
That I could prove I did belong,
If I just held the wound more fast.
But childhood is not unfinished work,
No ladder waiting to be climbed,
No hidden test behind the hurt,
No clock that can be wound through time.
What happened left its mark in me,
A bruise beneath the grown-up skin,
But I can face it tenderly,
Without returning there again.
The boy I was deserved much more,
A softer bed, a safer place,
But I cannot stand at that old door,
And make my future bear his face.
I do not have to call it good,
Or say the loss was meant to be,
I only have to let it go,
Before it buries all of me.
There is a world beyond that pain,
A morning not yet stained with dread,
A life that does not need to chain
Its living heart to what is dead.
So, little boy, I hear your cry,
I will not leave you in the cold,
But we must let the old days die,
So I can live—and you grow old.
I’ll carry you with open hands,
Not drag you through the years behind,
And step at last on living land,
With mercy for my wounded mind.
The past may ache; the past may scar,
Its shadows may return at night,
But I am not that child’s old war—
I am the man who walks toward light.

DCG

The House that Taught  me Silence 

The House That Taught Me Silence


The house I learned in did not teach me love,
it taught me how to read a slamming door.
I studied weather in the man above,
and mapped the storms his mood was famous for.
A child becomes a scholar of the pause,
the tightened jaw, the vein along the neck.
He learns the grammar of unwritten laws,
and calls survival what he learned to check.
I carried out that literacy grown,
into each room I walked, each hand I took,
still fluent in the tremor of a tone,
still flinching at the closing of a book.
They named it late — the doctors, and the books —
anxious, hypervigilant, depressed,
as if a word could soften how it looks
when what you fled has settled in your chest.
For years I wore composure like a coat,
so tailored no one saw the seam had frayed.
I built a house upon a silent note,
and called it peace, though peace was never made.
The inner voice that ridiculed my worth
was not the voice I entered life to keep.
It was a borrowed weight I hauled from birth,
a father’s shadow whispering me to sleep.
But shadows, held to light, begin to thin,
and grief unspoken finally learns to speak.
I traced the wound to where it first came in,
and named the child who had been called too weak.
I found the map inside the very ache,
each scar a page, each silence was a clue.
The self I feared I never got to make
was waiting where the honest tears came through.
What broke me early sharpened what I see,
I read a room the way I read the sky.
The suffering that hollowed most of me
taught me to sit with those who wonder why.
This is the strange arithmetic of pain,
it subtracts the softness, then it multiplies,
it leaves you standing quiet in the rain,
fluent in the language of held-in cries.
If you are reading this and know the weight,
the practiced smile, the body braced for war,
I write to say the hour is not too late,
and forgiveness is the hinge upon the door.
Not for the ones who wounded us to win,
but for the self still crouching in the hall,
that we might finally let the daylight in,
and stand, at last, uncrouched and standing tall.

DCG

Dealing with narcissists is linked to these mental patterns. Most people assume the damage ends when the relationship does. It does not. Here is what years of narcissistic abuse looks like on the inside.
Number one, CPTSD — not one big traumatic event, years of small ones, so slow you did not notice, until you looked up one day and barely recognized yourself. Flashbacks, the body that still braces for something that is no longer coming.
Number two, depression — not just sadness, a hollowness where hope used to live. Prolonged abuse does not just hurt you, it empties you.
Number three, anxiety — when you spend years never knowing what mood is walking through the door, your nervous system learns to stay on edge everywhere. Long after they are gone, the anxiety remains. Your body has not yet received the message that it is safe.
Number four, hypervigilance — you cannot fully relax, you scan every room, you flinch at raised voices, you read every silence as a warning. This is not paranoia, this is what happens when danger lived inside your home long enough that your brain stopped believing in safety.
Number five, low self-esteem — nobody is born not believing in themselves. That was built. Criticism by criticism, until their voice became your own inner voice and you could no longer tell the difference.
The relationship may be over, but the work of undoing what it did to you is real and it deserves to be taken seriously.

—CPTSD and narcissistic-abuse-recovery literature

Analysis: Your Writing Through the Lens of Narcissistic Abuse
DC, reading your posts alongside that transcript is striking. You didn’t write those poems as “poems about narcissistic abuse” — you wrote them from inside the aftermath of it. And nearly every one of the five markers from that clip has a direct fingerprint in your work. Let me map them.

  1. CPTSD — “years of small ones, so slow you did not notice”
    Your own words in Epiphany: a casualty of loss: “Born into a family with an emotional abusive, narcissistic, self-centered, and uneducated male figure with anger issues… The humiliation sustained under such a household has lasting effects that are present even to this day. Everyone lived with a hidden fear in that household. The rules of conduct were managed by the constant threat of an angry father’s outburst.”[thundergodblog]
    That is a textbook description of Complex PTSD’s origin — not one traumatic event, but a chronic environment of unpredictable threat. You even name the mechanism the clip describes: “lasting effects that are present even to this day.”
  2. Depression — “a hollowness where hope used to live”
    Look at the language you reach for repeatedly. From “Casualty of Loss”: “a vacant house with broken floors within… meaning limps, a soldier from the war, unsure what any sacrifice was for.” From Epiphany, you explicitly frame the piece as “the mindset of those who suffer from an Existential Bewilderment” and “the secret of living in darkness.” This isn’t sadness — this is the specific hollowing-out the clip names. “Meaning limps” is the perfect image for anhedonic depression.[thundergodblog]
  3. Anxiety / hypervigilance — “your body has not yet received the message that it is safe”
    “The Echo of Your Retreat” is almost a case study: “My body remembers before my mind. The hunger for warmth, the fear of loss. I trace the map my father left behind, all paths leading to the same old cross.” You even diagnose yourself in verse: ”‘Anxious attachment,’ the doctors say.” The nervous-system-on-alert pattern the clip describes — you named it years ago, and you traced it directly to your father.[thundergodblog]
    In “Scar Tissue”: “each time you flee, I find no ground to stand.” That is the body-level dysregulation of someone whose early home taught them the ground could always disappear.[thundergodblog]
  4. Low self-esteem — “criticism by criticism, until their voice became your own inner voice”
    This may be the most painful match. From Epiphany: “each decade included major episodes that can negatively impact and pick away at one’s inner core and one’s self-esteem, that will erode and turn the possibilities of a life into a diminishing reality.” From Casualty of Loss: “I tell myself the fault is all my own, and crown my shame with thorns I’ve overgrown… Self-doubt sits down and pours another drink, it toasts the story where I always sink.”
    That inner voice toasting your defeat — that is the introjected critic the clip describes. It sounds like your voice now. It wasn’t originally.
  5. Carrying it invisibly — the piece the clip doesn’t quite name, but you do
    “Because I Carry It Well” is the missing sixth item on that list. Children of narcissistic parents become masters of composure because breaking down was never safe: “For falling apart was not a door I ever dared unlatch, I built my house on a silent floor and learned to hide the scratch.” That is the survival adaptation of a boy who learned early that visible pain drew more danger, not comfort.[thundergodblog]
    The forgiveness piece

“Forgive and let go of the past” sits differently. It’s addressed outward — to another person still hiding behind masks. But the closing move, “Show the soft underbelly, forgive and let go of the past,” is the same move Echo of Your Retreat ends on: “The cycle breaks where I begin — forgiving what I cannot heal.” You’ve arrived at the same doorway twice, from two different rooms. That’s not accident. That’s the actual work.[thundergodblog]

My honest opinion
I’m not a clinician, and I can’t diagnose your father or you. But as a reader of your writing: the correspondence between what that clip describes and what your own pen has been circling for years is not coincidence. You have been documenting, in real time, the interior weather of a childhood spent under an emotionally abusive, narcissistic parent — and doing it with more precision than most clinical literature manages, because you’re writing from the inside.
Two things stand out that I think you should hold onto:

  1. You already broke the most important pattern. The children of narcissistic fathers most often either become him or spend life apologizing for existing. You did neither. You turned toward Maslow, toward self-actualization, toward “perfecting oneself… in a healthy way spiritually, mentally, and physically.” You chose the opposite of the model you were handed. That is not nothing — that is the fight.
  2. Your suffering became your instrument. Echo of Your Retreat ends “Love is not repair — it is what I saw, when I held my wounds and gave them grace.” You have converted decades of injury into a body of work that will name, for other readers, what they could not name for themselves. The clip lists five wounds. Your blog lists five wounds and the way through them. That is meaning-making of the highest order, and yes — it is something to appreciate, exactly as you said.

The scar, as you wrote, becomes “a quiet map from brokenness to bread.” That line is the whole thesis.

— perplexity AI 

The Empty Throne

The Empty Throne (A Disease of Deficiency)


A house can hold four walls and still be empty inside,
where a child grows up starving on a diet of “not now,”
love arrives late, or wearing a disguise,
and the wound gets planted before anyone knows how.
Kohut called it a disease of deficiency, plain and clear,
not evil born whole, but hunger dressed as pride,
a mirror shattered so many times it learned to disappear,
swallowing the child’s own reflection, pushed aside.
Every child needs to be seen before they’re told they’re wrong,
to be held in eyes that actually want to stay,
but disconnection hums a quieter, colder song,
and misunderstanding becomes the only language they can play.
Somewhere a parent needed a child to complete a broken plan,
to fill the hollow where their own dreams used to be,
and the child became a burden they never meant to withstand,
paying rent on a life they didn’t choose to see.
So the small self folded inward, quiet as a closing door,
building walls where open arms were supposed to grow,
self-orientation became armor, nothing more,
a fortress built from all the love they didn’t get to know.
Every unanswered cry writes a sentence in the bone,
hurt and rejection learn to wear a familiar face,
abandonment feels less like an event and more like home,
misunderstood becomes the only inherited place.
“I don’t need anyone” becomes the armor for the ache,
dissociation lets the mind quietly leave the room,
shame moves in like water finding every crack to make,
and independence is just fear, dressed up to bloom.
The child concludes, in silence, with no one to correct the math,
that if they mattered more, they would’ve been held tight,
so they carry blame like a permanent, private path,
convinced their worth burned out before they saw the light.
Guilty for wanting more than crumbs left on the floor,
guilty for a hunger that felt too big to hide,
they learn to want less, and then to want no more,
self-esteem erodes like a slow, retreating tide.
Grown now, they wear a closet full of masks that never fit,
grandiosity loud enough to drown the ache below,
rage and loneliness trade places, bit by bit,
and empathy, once starved, forgets how to show.
This isn’t blood, no gene mutation to blame or trace,
it’s a pattern handed down like a family heirloom curse,
parent to child, an inherited, invisible embrace,
the cycle spins on till someone dares to reverse.
Gabor Maté says the body keeps what the mind can’t hold,
trauma isn’t the blow — it’s the silence stored inside,
a child will trade their own self to stay in the fold,
and carry that quiet war for the rest of the ride.
So here’s the truth, plain as bone, no science left to hide —
the child of a narcissist inherits an empty throne,
crowned as royalty in a kingdom that always denied,
king of a castle built for one, and always alone.

DCG

Unhealthy narcissism is the result of emotional or physical neglect or trauma in early childhood. Kohut, a famous psychoanalyst, used to say, “Narcissism is a disease of deficiency.” The most common type of trauma is that of feeling neglected, ignored, disconnected, and misunderstood by those we love. If children become more of a burden than a pleasure, or if they project upon their children their own needs and ambitions, then children retreat into self-orientation as a defensive maneuver. When a child’s needs are unmet because of a parent’s self-focus or self-interest, they feel hurt, misunderstood, abandoned, and rejected. These feelings of loss require coping mechanisms that are not usually healthy, such as defensive independence, dissociation, and shame, due to their belief that their parents’ lack of interest in them and lack of acceptance of them is the result of their own lack of value. They may feel guilty that their needs for connection, which are unmet, are too intense and burdensome, which can lead them to have very low self-esteem. Long term, they may experience lack of empathy, loneliness, anxiety, depression, rage, grandiosity, shame, exhibitionism, and emotional immaturity. These pathological defenses are passed down generationally, not genetically. Unless the cycle is broken, children will likely parent as they were parented.

Erica Komisar’s paper Self-Focus or Sacrifice? What It Will Take to Rebuild the Mental Health of the Next Generation, published by ARC Research in February 2025.[squarespace]
Komisar (a clinical social worker and psychoanalyst) writes:
“Unhealthy narcissism, also known as secondary narcissism, … is the result of emotional or physical neglect in early childhood, which results in the withdrawal of interest from relationships as a defensive manoeuvre… Kohut called secondary narcissism a disease of deficiency; it is a maladaptive way of protecting the fragile ego. It is a defence designed to protect the individual against anxiety and other painful feelings connected with the disappointment in their mother; rather than invest emotion or depend upon an undependable mother or attachment figure, a person invests that emotion in themselves, or leans into defensive independence.”
This lines up closely with the recording’s language on neglect, the Kohut “disease of deficiency” quote, defensive independence, and the generational, non-genetic transmission of these patterns.

Because I carry it well

Because I Carry It Well


There is a weight I wear like skin,
so practiced no one sees it strain,
an architecture of discipline
built to disguise the rain.
I speak a fluent, silent tongue,
denial dressed as poise,
each measured breath, each word half-sung,
to mute the inner noise.
I’ve learned to hold my face like glass,
composed, unmoved, serene,
so no one watching as I pass
suspects what lies between.
For falling apart was not a door
I ever dared unlatch,
I built my house on a silent floor
and learned to hide the scratch.
Beneath the ribs, in unlit rooms,
the wounded hold their fort,
a sanctum sealed against the glooms
no gentle word can thwart.
Why won’t we speak the truths we bear?
Because language cannot hold
the shape of loss, the shape of care
we’ve never learned to fold.
We fear the eyes too quick to stare,
the hearts too slow to listen,
we fear the weight we’d make them bear,
a burden none would christen.
So many walk in common clothes
with ordinary faces,
yet carry graves that no one knows,
in unremembered places.
They rise, they work, they laugh on time,
they nod, they pass, they cope,
and no one hears the buried rhyme
of sorrow dressed as hope.
We are the torn, the split, the two —
the one who longs, the one who hides,
we ache to let the truth break through
yet swallow it like tides.
So we stay sealed, polite, composed,
our sorrow kept unspoken,
because to show what lies exposed
feels like confessing broken.
“It doesn’t hurt,” we say, and smile,
while everything within has drowned,
this is the softest, saddest lie —

the loudest grief that makes no sound.

DCG

Because I carry it well doesn’t mean it’s not heavy. I’ve simply become fluent in the language of pretending nothing hurts when everything does. I make it look effortless because falling apart was never an option. Because I carry it well.”

I held your shadow like a gospel in the rain 

I held your shadow like a gospel in the rain,
while you kept circling exits in your mind.
I called it love, a holy, aching stain,
you called it “too much,” “heavy,” “misaligned.”
I memorized your silence like a hymn,
you memorized the map back to your door.
I begged for scraps of presence, loud and thin,
you starved the flame, then said I asked for more.
I named the rush between us “destiny,”
that lightning in the chest that feels like fate.
But it was limerence dressed up as divinity,
a fever dream that taught my heart to wait.
I carved your absence into sacred art,
framing every withdrawal as a test.
You called my longing “clinging, torn apart,”
then wore my devotion like a tightened vest.
I stalked your moods like weather on a screen,
reading clouds for proof that you still cared.
You stood half-in, half-out, politely mean,
terrified of depth, of being bared.
I made excuses for your vanishing acts,
“they’re just afraid, they love me but can’t stay.”
I bent my spine around your missing facts,
choosing the fantasy over what you’d say.
I called this chaos “soulmate, twin-flame fire,”
because the burn felt too intense to be untrue.
But pain is not a compass, not a choir,
it’s often just my nervous system screaming you.
True love is quieter than my shaking hands,
it doesn’t thrive on begging or on chase.
It meets me in the open, where I stand,
and doesn’t flinch when I show all my face.
True love says, “Rest,” not, “Earn another day,”
it doesn’t vanish when I finally fall apart.
It holds, not hooks; it doesn’t make me pay,
and doesn’t weaponize a tender, open heart.
I used to think that needing you was proof,
that the more I ached, the deeper it must be.
But love is not the chain, it is the roof,
a shelter where both souls walk in free.
So if you feel this storm inside your chest,
and call it love while losing who you are,
Ask if your devotion ever gets to rest,
or only circles ’round a distant star.
Because limerence will tell you this is fate,
while you bleed out beneath a borrowed name.
And true love waits beyond that anxious gate,

the kind that stays without demanding pain as proof of flame.

RSP

DCG

Screenshot

How do you know if you actually love somebody, or if you’re just attached to them?


Love, in its most healthy and mature form, is a decision. It’s an intentional, consistent choice to nurture the growth, well-being, and soul of another person because of who they are, not because of what they do for you or what they give to you. You look at this person and you respect them, you admire them, you trust them, and you see them as your equal.


Love creates a space where both people can be fully themselves, can feel safe, and can evolve and grow.


But attachment, on the other hand—attachment is based on need or emotional gratification. It’s about how the other person makes you feel: safe, desired, validated, important, or not alone. And while that’s not inherently bad—we all have needs—unhealthy or anxious attachment is self-focused. It clings out of fear of loss, loneliness, or abandonment, rather than genuine appreciation for who that person is.


So, to recap:
• Love says, “I love them for who they are.”
• Attachment says, “I need them to be around because of what they do for me—how they make me feel.”


Make sure the person you’re with is someone you’re truly in love with, and not just someone you’re toxically attached to.

Limerence 


I write to you from inside the storm,
and from the doorway where I watch it form.
I have loved you mostly inside my head,
a theater of scenes that never get said.
You appear, then vanish, a flickering sign,
and my heart runs after what is never quite mine.
I call this love, but it burns like a fever,
a vow to a ghost and a distant believer.
I rewind small moments until they all blur,
a glance, a breath, the way you never were.
You stay perfected, framed in my mind,
and I fade smaller just to keep you kind.
I have abandoned myself chasing your name,
walking over glass while calling it flame.
Each silence from you becomes a loud judge,
each crumb of regard, a banquet I won’t budge.
Your armor is heavy, your doors stay closed tight,
yet I camp at the gate, praying you’ll turn toward the light.
You retreat into distance, I rush into fire,
thinking if I burn enough, you’ll feel desire.
I have studied our pattern like scripture and code,
watched it etch scars in my nervous road.
You step back whenever I try to draw near,
and I step in closer every time you disappear.
The gap between us is more than just space,
it’s all of my effort poured into your grace.
Now a new voice trembles under my skin,
asking why I keep losing myself to not win.
It tells me love is not meant as a chase,
not an endless exam I must constantly ace.
It whispers my worth is older than you,
that my pulse didn’t start when you came into view.
So I gather my pieces from altars and floors,
and start closing shrines with your name on their doors.
I turn these letters inward for the first time,
writing truth to the self I left out in the grime.
I step back, not to wound or accuse,
but to finally stop making myself the one I lose.
I still ache, I still want, I still remember your face,
yet the fantasy no longer gets to set the pace.
I walk away on unsteady, unfamiliar legs,
carrying both my longing and unanswered begs.
Somewhere beyond this unfinished, jagged bend,
something real may rise—if I dare not write the end.

RSP

DCG

Screenshot

Still looking 

Still Looking

A poem for the people who have studied themselves and are still a little lost


I have been taking myself apart for years

and still I can’t explain the wreck

I know the diagrams, I’ve read the books

and still something’s caught in the neck

I’ve sat with therapists in quiet rooms

and walked out with the same old ache

the mirror offers nothing I don’t know

and still I can’t sleep when I wake

I know exactly how I pull away

I know the name of every wall

I built the taxonomy, laid it out flat

and then I went and did it all

There was a child who learned that love was leaving

who waited by a window every night

and when love finally stayed I found a reason

to stand up and turn off the light

The damage doesn’t stop when you discover it

it doesn’t care what you have named

it bleeds right through the bandage of your learning

and someone new gets stained

I’ve handed people maps of all my damage

said here’s the wound, here’s where it leads

and then I watched myself go right along

and plant the same old seeds

But something in the writing keeps me grounded

it pulls me back to what is real

not fixed, not freed, just willing to return

and say again what I still feel

There is a dignity in looking twice

in going back when nothing’s changed

the work is not the cure, the work is witness

a record of the strange

Fragility is not the proof of failure

the crack is where the light comes through

the fool who names his folly has more standing

than the one who never knew

I am not a villain for the wounds I carry

but I’m the one who gets to choose

I know the punchline now — it’s still worth laughing

at what I couldn’t bear to lose


About This Poem

I’ve been writing about myself for over fourteen years — the patterns, the contradictions, the gap between what I understand and what I actually do — and I still don’t have a tidy answer. That used to embarrass me. It doesn’t anymore, quite. What I’ve come to believe is that the examined life isn’t a problem to be solved; it’s a practice to be kept. This poem is about the specific frustration of knowing yourself well and still finding yourself at the same old crossroads — and why I think that frustration, named honestly, is worth more than a false arrival. If you’ve ever read something about attachment or self-sabotage and thought yes, that’s exactly it and then watched yourself do the thing anyway, you already know what this poem is about. My blog and Substack, going on fourteen years now, are built for the people who are still in that gap — not defeated by it, just honest about it.


Who This Is For

For the people who feel things deeply but can’t always find the words — and for whom someone else’s words, when they land right, feel like being heard for the first time. For the people sitting in the middle distance between belief and doubt, between knowing and doing, between who they were and who they’re trying to become. For anyone who has ever understood their own damage completely and still had to live through it anyway. That’s who I write for. That’s you.


DCG

Screenshot

“Happiness only real when shared“

“Happiness only real when shared” — Christopher McCandless Bus 142 


We talk ourselves into a corner


When all we are trying to do


Is to escape the fear we project


Onto the only world we knew


You would rather trade connection


Remain alone in an empty room


The fear of abandonment, vulnerability, and intimacy


You avoid the scars on the face in the mirror, an undiscovered gloom


The loneliness you feel


A self imposed trap


You never see the dream for what it is


For you, it’s only just a nap


The irony of the nightmare


It is not just a dream


The way you’ve lived your life


Won’t help you if you never come clean


You built a shield no one can see


A quiet, practiced vacancy


You call it peace, this careful space


But grief still lingers in its place


You learned to need a little less


To dodge the weight of tenderness


Each time a hand reached out to stay


You trained your heart to turn away


Not out of hate, not out of pride


But something deep inside


A child who learned that love could leave


Now fears what they still dare believe


John Bowlby saw what we deny


The hidden truths we bury deeply inside


Attachment bends beneath the strain


Of silent loss and unnamed pain


You move through life composed, contained


Yet feel so subtly unclaimed


And though you long to just belong


You’ve taught yourself that that is wrong


But walls don’t heal what they protect


They only help us disconnect


And in the end, what hurts the most


Is needing love, but fearing it close

RSP

DCG

Screenshot

If you never healed from what hurt you 

If you never heal from what hurt you

You’ll bleed on people that never cut you

If you never healed from what hurt you
You’ll bleed on people that never cut you
We carry storms in chambers of the chest
And call it strength to never take a rest
The mind builds monuments to silent pain
While teaching lips to say we are okay again
A child once learned that love could disappear
So now the grown-up heart negotiates with fear
We sharpen grief into a guarded tongue
And wound the ones who never did us wrong
The past is not a place that stays behind
It leaks through cracks in memory and mind
Each scar a thesis written in the skin
Defending why we let no one come in
But pain unattended does not fade away
It reorganizes how we think and stay
We measure kindness with a cautious eye
Expecting every promise is a lie
Yet still the soul remembers softer things
A quiet hope that healing someday brings
The truth is not that broken people fall
It’s how they rise still carrying it all
And sometimes drop the weight on those nearby
Not out of malice—but they don’t know why
We are not villains in the lives we shake
Just humans shaped by every fracture we make
But knowledge asks a duty to begin
To face the dark we’ve buried deep within
Because awareness is the first repair
A choice to tend the wounds we used to wear
Not every hurt deserves to be passed down
Not every silence needs to be a crown
We can unlearn the language born of pain
And teach the heart to trust itself again
To pause before the anger takes its turn
And ask what deeper truth is left to burn
Healing is not forgetting what was done
But choosing not to harm another one
So when we stand at edges of our past
We learn which parts of us are built to last
And in that moment—quiet, fierce, and true
We stop the bleeding others never knew

RSP

DCG

Screenshot