On a Personal Note

The joke is on the part that needs control 

~ DC ~ Leave a comment

I was born into a rule book someone else wrote.
They said, “Stay small, stay quiet, don’t complain.”
I learned to weaponize my own sore throat.
Called burnout “duty,” called self‑harm “the game.”
They told me life was one long, final test.
I filled in bubbles with a shaking hand.
I called my panic “drive,” denied my rest.
And worshiped men who crawled to dying, “planned.”
As kids we played at dying every day.
Ten playground deaths before the dinner bell.
We dropped the role the second Mom would say,
“Come eat,” and laughed at how we’d fought and fell.
We knew the difference then between and as.
We knew the mask came off at half past three.
Now every costume is a concrete cast.
We drink our roles and call it “being me.”
They said, “Grow up; the point is to arrive.”
At spouse and mortgage, coffin, folded flag.
We crushed the present just to feel alive.
Chased ticking clocks like dealers chase the bag.
We treat each milestone like a holy door.
We miss the room we’re standing in right now.
We read the notes instead of hear the score.
We call that “wisdom” while we disallow.
They never told us we were also God.
Not bearded sky‑dad, but the field of sight.
The wave that thinks it’s only foam, a fraud,
Forgets the ocean holds it day and night.
We act like pawns abandoned on a board.
We curse the heavens for a rigged‑up game.
While every move is ours, each wound, each sword.
We write the script, then sign it “Fate” and blame.
We pray for rescue from the flood we poured.
We light the match, then scream about the fire.
We call our own projections “from the Lord.”
We sanctify our trauma and desire.
We ghost ourselves, then say that God walked out.
We scroll until our souls go soft and numb.
We label cowardice as “healthy doubt.”
Then wonder why our hearts forget to come.
The trick is not to paste a happy face.
Not “manifest” a yacht with perfect teeth.
It’s learning how to hold the whole damn place.
To lose the throne and not lose what’s beneath.
To love like hell but drop the need to own.
To work like fire but not become the coal.
To sit inside your hurt and still feel grown.
To know the actor isn’t all the role.
So here it is, no sugar for your tea:
You’re not your job, your feed, your damage reel.
Life isn’t court; it’s rough, improvised melody.
You get to dance, to fall, to bleed, to heal.
The joke is on the part that needs control.
The freedom starts the instant you relent.
You are the storm, the sea, the shattered bowl —
And you are still the light that never went.

…

DCG

Screenshot

“You know we’ve got ourselves into the most peculiar predicament. We walk around taking life so dreadfully seriously, as if the whole affair was some kind of final examination where one wrong answer could doom us to eternal failure. But what if I told you that this entire setup, this grand drama of existence, is nothing more than an elaborate game. And like any game, once you understand the rules, you can learn to play it with remarkable skill, and dare I say with a sense of joy.


Think about it for a moment. When you were a child, you played games all the time. Cowboys and Indians, house, pretend tea parties. You threw yourself into these games with complete conviction. You were absolutely the cowboy, totally the mother serving imaginarily cookers. But you never forgot, not really, that it was play. The moment your mother called you for dinner, you dropped the role without a second thought. You didn’t cling to being the cowboy. You didn’t suffer an identity crisis when the game ended.
But somewhere along the way, we forgot how to play. We became what I call method actors in the theater of life. We got so absorbed in our roles that we forgot we were acting. We started believing that we really are the banker, the housewife, the success, the failure. And when you forget you’re playing a role, the game becomes a prison.


Now, when I say life is a game, I don’t mean it’s trivial or meaningless. Games can be incredibly important. He plays with intensity, with passion, with everything he’s got. But he maintains what we might call a light touch.
The first rule of this cosmic game is perhaps the most startling. You are not who you think you are. The person you call by your name, with your particular history, your specific worries and dreams, that’s just your character in the game. It’s a mask, a role you’re playing so convincingly that you fooled even yourself. But who is the real you? Ah, that’s where it gets interesting. The real you is the player, not the character. You are the awareness that can observe thoughts, feelings, sensations. You are the space in which all experiences arise and dissolve. You are, if you will, the stage on which the entire drama unfolds.


Once you see this, really see it, the game changes completely. You realize you’ve been like an actor who got so lost in his role that he forgot he could take off the costume and go home. Suddenly, you remember, you are not trapped in the character. You can play it skillfully, enjoy it thoroughly, but you don’t have to be imprisoned by it.


Here’s another rule that most players miss entirely. The game has no final winning condition. There is no ultimate prize, no finish line where you can finally declare victory and retire. The whole point of the game is the playing itself. We’ve been taught to think of life as a journey with a destination. But it’s much more like music or dancing. You don’t dance to get to a particular spot on the floor. You don’t listen to a symphony to get to the final note. The meaning is in the movement, in the flowing, in the play.
But we’ve turned life into a race. We rush through childhood to get to adulthood. We hurry through school to get to our careers. We work frantically to reach retirement. And then we sit in our rocking chairs, wondering where it all went. We were so busy trying to get somewhere else that we missed the only place we ever actually were, which is here, now, in this moment. The game is always happening now. Not tomorrow when you’ll be happier, not yesterday when things were better, but right now. This is the only time the game is actually being played. Yet most of us are like people at a concert who spend the entire performance reading the program notes, trying to figure out what’s coming next instead of listening to the music that’s playing right now.


Another fascinating aspect of this game is that it’s completely rigged in your favor. How’s that? Well, no matter what happens to you, no matter what role you find yourself playing, you can’t actually lose because you are not just your character. You are the entire game itself. Think of it this way. In a dream, you might be chased by a monster and it feels terrifying. But when you wake up, you realize you were both the one being chased and the monster doing the chasing. You were the entire dream.
In the same way, you are not just one player in the cosmic game. You are the game playing itself. This might sound like mystical nonsense, but consider this. Every person who irritates you, every situation that challenges you, they’re all part of your experience. They exist in your awareness. In a very real sense, the entire universe as you know it is happening inside your consciousness. You are not a small separate being struggling in a hostile world. You are the world, looking at itself through the eyes of what you call you.
Once you get this joke, and it is a cosmic joke of the highest order, your whole approach to living changes. You stop taking everything so personally. When someone criticizes you, instead of getting defensive, you might think, ‘Ah, here’s the universe playing the role of the critic. How interesting. What can I learn from this performance?’ When you’re facing a difficult situation, instead of asking, ‘Why is this happening to me?’, you might ask, ‘Why am I happening to this?’ Because if you are the entire game, then you are not the victim of circumstances. You are circumstances, appearing to yourself as challenges to make the game interesting.


Now, let me address something important. This doesn’t mean you become passive or indifferent, far from it. When you know you’re playing a game, you can play it with tremendous skill and enthusiasm. You can care deeply about your moves while not being devastated if they don’t work out perfectly. You can love fully while not being destroyed if that love isn’t returned. You can work passionately while not being crushed if your efforts don’t immediately succeed. The secret is what I call playing with a light touch. It’s like being a great jazz musician. You know the basic structure of the song, but you’re always ready to improvise.

— Alan Wilson Watts 

source: inspired by the philosophy and lectures of Alan Watts (e.g., “Life Is Not a Journey,” “The Game of Life”),

So pause before you crown the days you found long gone 

~ DC ~ Leave a comment

The good old days were never quite as told,
we crop the frame and call it all divine,
the traffic, tears, and headaches all grow cold,
and only sunset colors seem to shine.
A rainy night once soaked you to the bone,
but now you only see the café light,
the laughter shared, the sweetness of your tone,
the shivers and frustration fade from sight.
Your mind’s an editor with gentle hands,
it cuts the noise and softens every scar,
it filters out the parts it never plans,
to screen again beneath your private star.
Psychologists have watched this in the lab,
they call it “rosy retrospection” clear,
we rate past days as better than we had,
and current days as dull or hard to bear.
One study asked how happy people feel,
then checked again when looking back in time,
the numbers showed the past began to heal,
and shine more bright than when it walked the line.
We don’t recall the waiting in the queue,
the restless hours, the weight of hidden strain,
we keep the kiss, the song, the sudden view,
and quietly delete the small, raw pain.
So now you sit and scroll through yesterday,
and think “back then, I knew just who I was,”
but what you miss is how you’d lose your way,
and question every choice, and every cause.
You judge today by footage, raw and rough,
no music score, no golden evening glow,
while yesterday’s been brushed and sweetened up,
with all the awkward moments cut from show.
It’s like comparing drafts to final scenes,
of course the edited one seems more wise,
today still shows the cables and machines,
and all the stumbles happening offside.
You think you long for time you left behind,
but what you crave’s the movie in your head,
the past that plays is one your tender mind,
produced and trimmed and carefully re-read.
This matters when you grieve for “how it was,”
for lost first loves or some old neighborhood,
you may forget the fights without a cause,
and only taste the moments that felt good.
And when you say “my childhood was so pure,”
you might skip over nights you cried alone,
your brain, in kindness, keeps the parts that cure,
and hides the splinters buried in the bone.
The trap is this: you curse the life you live,
because it comes unedited, unframed,
you miss the grace these ordinary days give,
while worshipping a past that’s been renamed.
Yet ten years on, you’ll stand where you are now,
and swear this season glowed with sacred light,
forgetting how you frowned and asked “but how,”
and stared up at the ceiling late at night.
Right now you’re in the picture you’ll recall,
this room, this sigh, this quiet, passing hour,
today is raw, and feels too small, too small,
yet it’s the stalk that holds tomorrow’s flower.
If you can see the trick your memory plays,
you will not hate the days you’re walking through,
you’ll hold the past with gratitude, not praise,
and let the present be as bright and true.
The truth is simple, nothing here is stern,
our minds protect us, painting soft the scene,
but once we know the way those colors burn,
we’re free to love the canvas as it’s been.
So pause before you crown the days you found long gone,
before you say “back then, I had it right,”
for if you look with clear, awake eyes on,
you’ll find this flawed, breathing instant full of light.

…

DCG

Screenshot

Source 

The good old days were never as good as you remember. Your own memory is lying to you, and that lie is quietly stealing your present.

Psychologists call it rosy retrospection. Your brain edits the past, deleting the boredom, the stress, the pain, and keeping only the golden highlights. So you look back and ache for a time that never truly existed the way you remember it. Meanwhile, you dismiss today, because today comes with all its messy, unfiltered details still attached. Here is the trap. You compare a polished memory to a raw present. Of course, the present loses. You are not longing for the past, you are longing for an edited film your mind produced.

And here is the twist. 10 years from now, your brain will romanticize this exact moment you are underrating right now.

Today is someone’s good old days. Yours. Stop worshipping a past that was never that perfect. You are living the memory you will miss.

The empty room was shouting all along 

~ DC ~ Leave a comment

We thought the needle told the tale
but the empty room was shouting all along
We watched a rat alone in steel
two bottles waiting, one soft, one strong
We said, “It chose the poisoned glass.”
and missed the silence gnawing at its bone
We named it weakness, called it sin
and never saw it dying there alone
Then came a cage with light and play
tunnels, colors, food, and other eyes
The same small body breathed again
and turned away from chemical disguise
In Rat Park, laughter filled the air
the drug grew dull beside the living sound
From near‑certain overdose in a void
to almost none when friendship wrapped it round
What if the hook is not the heart
what if the cage is twisting what we crave?
What if addiction is not pure rot
but a bruised bond seeking something brave?
We are built to cling, to reach, to hold
to find a hand when night is low and black
When no one answers, we still reach
for anything that swears it has our back
Some cling to dice and glowing screens
some to bodies, some to powdered light
We do not stop wanting when we hurt
we only grasp what stands within our sight
The opposite of addiction is not “clean”
it is a voice that says, “You’re welcome here.”
It is a table with one spare chair
a listening face that will not disappear
Yet we curse the bottle, not the bars
we blame the wound and miss the hidden frame
We point at “them” to dodge the truth
that we build cages and then rename them “shame.”
The cage can look like praise and wealth
or quiet rooms where no one knows your name
It can be trauma buried deep
or slow forgetting of your living flame
I, DC Gunnersen, stand and see
a small experiment become a burning sign
It speaks like prophecy to our age:
change the cage, and watch the soul realign
The message cuts through blame and fear:
connection is the medicine we lack
We are the builders of our parks
and we can tear the isolating rack
In simple terms, the warning’s clear:
the way we live will shape the way we fall
If we sow distance, numb and cold
we’ll reap addictions answering our call
But if we craft kind, human space
where stories breathe and no one stands erased
We may discover, one by one,
the cages fade, and chains come loose, unlaced
The power was never in the drug alone
it lived in whether we were held or thrown aside
So let us name our cages now
and choose connection as our quiet guide

…

DCG

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Almost everything we think we know about addiction is wrong. You get a rat and you put it in a cage and you give it two water bottles. One is just water and the other is water laced with either heroin or cocaine. If you do that, the rat will almost always prefer the drug water and almost always kill itself quite quickly. In the 70s, Professor Alexander comes along and he looks at this experiment and he notices something. He said, “Ah, we’re putting the rat in an empty cage. It’s got nothing to do except use these drugs. Let’s try something a bit different.” So, Professor Alexander built a cage that he called Rat Park. They’ve got loads of cheese, they’ve got loads of colored balls, they’ve got loads of tunnels. Crucially, they’ve got loads of friends. But here’s the fascinating thing. In Rat Park, they don’t like the drug water. You go from almost 100% overdose when they’re isolated to 0% overdose when they have happy and connected lives. What if addiction isn’t about your chemical hooks? What if addiction is about your cage? What if addiction is an adaptation to your environment? Maybe we shouldn’t even call it addiction. Maybe we should call it bonding. Human beings have a natural and innate need to bond. And when we’re happy and healthy, we’ll bond and connect with each other. But if you can’t do that because you’re traumatized or isolated or beaten down by life, you will bond with something that will give you some sense of relief. Now, that might be gambling, that might be pornography, that might be cocaine, that might be cannabis, but you will bond and connect with something because that’s our nature. The opposite of addiction is not sobriety. The opposite of addiction is connection.

Drawn inside the now

~ DC ~ Leave a comment

We say that time is marching on, a river made of flow,
yet every thought that calls it “past” is happening here, not long ago.
We point ahead and call it “future,” a land we’ve yet to plow,
but all our plans and fears of “then” are sketches drawn inside the now.
We carve the days in little blocks, and name them “then” and “when,”
but clocks can only chop the one that keeps appearing once again.
We hunt for meaning in the years, in where and why and how,
not seeing that the hunter’s net is woven from this single now.
The breakfast that we had today, the one we can’t forget,
returns as images in mind, not in some distant, dated set.
We strain to step into the past, to stand on solid ground,
but every step toward “back‑then” is just a present thought we’ve found.
We worry about the coming storm, the future’s heavy brow,
yet all our forecasts, hope and dread, are weather passing in the now.
We trust the mind as map and guide, its timelines and its charts,
forgetting that its colored lens is painting borders on our hearts.
The mind is like an orange glass we place before our sight,
and soon we swear the snow is tinted, not the lens that bends the light.
We say the world has time and space, dimensions we allow,
but time and space are only shades the mind throws on the naked now.
We call this universe four‑fold: three wide, one long, somehow,
yet all four rise and disappear inside one changeless, present vow.
We chase the “meaning of our life” through stories we endow,
while life itself keeps quietly shining as this unbroken now.
We fall asleep and think we’ve crossed a corridor of night,
but mind has simply folded in, and time has vanished from our sight.
We wake and claim that hours have passed, that distance stands between,
yet from the bed of direct truth, no gap is anywhere to be seen.
We fear that death will steal our light, and cut us from the show,
not seeing how each birth and grave still rises in the selfsame now.
We cling to guilt for what was done, to shame we still bestow,
forgetting that the pain we feel is present, not “from long ago.”
We script ourselves as heroes, fools, and victims of the plot,
while every role is inked and played in one eternal, living dot.
We think our mind reports the world with neutral, honest brow,
yet mind itself is the machine that stitches “world” from seams of now.
We call it “common sense” to trust what calendars avow,
but deeper common sense insists: experience never leaves the now.
We ask, “What is reality?” with logic’s careful plow,
and logic answers, if we’re fair: it’s what appears right here, right now.
We chase enlightenment like a prize, some mountaintop or Tao,
while every step, each breath, each doubt is shining with the very now.
We look to East and look to West, to sages that endow,
yet every scripture, word, and sign is read inside this present now.
We seek a stable ground of truth that no one can misstate,
and find it where all questions rise: the fact we simply are aware, here, straight.
We ask, “But what’s the use of this? What good can this allow?”
It cuts the root of needless fear that lives in yesterday and tomorrow’s shadow.
It calls us back from mental fog, from timelines that mislead,
to stand in simple, conscious light where only living facts proceed.
It shows that healing cannot come from wrestling ghosts of “then,”
but from embracing what we feel as present visitors and friends.
It says our deepest sanity is not some high mystic vow,
but recognizing, plain and clear, that all we ever know is now.
So let the mind still count its days, still mark each year and hour,
while you remain as that which knows, the nameless, ever‑present power.
For when the orange glass is raised, and naked truth allowed,

the world of time and space dissolves into one boundless, shining now.

…

DCG

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The Orange Glasses of Time: Reflections on a Teaching by Rupert Spira
Why do we lose our sense of time when we are sleeping?


It sounds like a simple question of neuroscience or clock‑reading, yet in the hands of Rupert Spira it becomes an inquiry into the very structure of experience itself.


Spira begins not with brain states but with the now—the intimate immediacy in which every thought, sensation, and memory arises. We habitually imagine the past and future as vast spaces stretching behind and ahead of this now, like an endless corridor into which the present moment is merely a passing doorway. We picture time as the distance between the past and the future, or between any two events we decide to locate “back there” or “up ahead.”


From inside this picture, the now appears as a fragile sliver, sandwiched between two enormous domains called “the past” and “the future.” But Spira’s invitation is deceptively radical: for a few moments, he asks us to leave the now and actually visit the past.


The Past We Can Never Visit
What would it mean to visit the past, not merely think about it? When we recall breakfast this morning, we see an image—the plate, the coffee, the light in the room—and we say, “That was earlier today.” Yet that image is not occurring in “the past”; it is occurring now, as a present experience in consciousness.


Thinking about the past, Spira points out, is still something happening now. Imagining the future is also something happening now. The attempt to “step into” the past, if we watch closely, is itself an effort arising in the present.


So he presses the question further: has anyone, ever—not just mystics or “weirdos interested in non‑duality,” but ordinary people—actually stepped out of this now and entered a place called “the past”? The honest answer, if we stay close to experience, is no.


From here, an unsettling but liberating possibility appears: if nobody has ever been there, how do we know the past exists as a place at all? Experience, Spira suggests, must be the test of existence. If no one has directly visited the past or future, then perhaps these are not territories out there in which events reside, but constructs appearing in the mind as it tries to organize the one undeniable fact: things are happening now.


One Now, Ever‑Present
Spira then asks a deceptively simple question: how many nows have you experienced today? At first, the mind wants to say “many,” imagining each second, each moment, flickering in succession. But if we attend closely, there is only ever one now—the one in which we find ourselves as we answer the question.


All our life, he suggests, we will only experience one now. The “now” does not move along a timeline; it does not travel from past to future, like a bead sliding along a string. From the perspective of direct experience, the now is not going anywhere, has never come from anywhere, and is not headed anywhere.


What, then, is the duration of this now? Spira calls it eternal—but not in the sense of a moment that lasts forever in time. Eternal here means ever‑present: the dimensionless presence in which all apparent moments arise and dissolve.


If we remain faithful to the simplicity of this observation, something startling follows: time, as such, is never experienced. What we call “time” is what the now looks like when filtered through the mind’s conceptual habits. Time doesn’t really exist in the mind; it only seems to.


Sleep, Mind, and the Disappearance of Time
With this in view, the original question—“Why do we lose sense of time when we’re sleeping?”—receives an unexpected answer. If time is a way the mind organizes the ever‑present now, then when the mind disappears in deep sleep, the seeming existence of time disappears with it.


We do not experience time in sleep because there is no active, waking mind present to slice the now into before and after. In fact, Spira goes further: strictly speaking, we do not experience time even when we are awake; we only seem to, because the mind is busy dividing, labeling, and narrating what is always occurring now.[Attachment]
This is why we often report that we “woke up in the same moment we fell asleep.” From the vantage of experience, there is no stretch of time between two waking states or two dream states; there is the now of falling asleep, and the now of waking, both taking place in the same timeless presence.


For the mind, this is confusing but strangely compelling. We intuitively recognize the simplicity of the teaching when we look at our own experience, yet it clashes with the deeply ingrained picture of reality as a four‑dimensional grid of space and time.[Attachment]
The Orange Glasses of Mind
To explain this clash, Spira turns to a metaphor. Imagine you are skiing while wearing orange sunglasses. At first you are aware of the glasses, but very quickly you forget you are looking through them. The snow appears orange, and you think the orange belongs to the snow itself.


In this metaphor, the snow is reality; the orange tint is time and space; and the glasses are the mind. Our minds are limited mediums with their own coloring—time, space, subject, object, here, there, before, after. Consciousness, looking through these tinted lenses, sees a world that seems to be extended in three dimensions of space and one dimension of time.


We then attribute these dimensions to the world itself, forgetting that we are seeing reality through the constraints of a particular mode of knowing. Time and space appear to belong to the world, when in fact they are features of the medium—our mind—through which consciousness is viewing an otherwise dimensionless eternity.[Attachment]
From this angle, eternity is not an infinite stretch of time but the ever‑present now that does not begin or end. Time and space, as conceptual tints, make that eternity appear as a world spread out, moving, changing, evolving. The teaching is not trying to deny the relative usefulness of time and space; it is inviting us to remember that they are interpretive lenses, not ultimate features of reality.


Living in the Ever‑Present Now
For many of us, particularly those drawn to emotional introspection and relational psychology, Spira’s exploration of time intersects with very human concerns: regret, longing, anxiety, and narrative identity. If the past is never truly visited and the future is never truly arrived at, then our suffering often consists in wrestling with images and stories that always arise now.


This does not trivialize trauma, memory, or anticipation; rather, it asks: where, concretely, do we meet them? We meet them as present sensations, thoughts, and feelings. Healing, in this light, is not an attempt to rewrite an inaccessible “back then,” but a willingness to be with what is appearing now—with tenderness, clarity, and a recognition that the orange tint belongs to the glasses, not the snow.


The question “Why do we lose sense of time when we’re sleeping?” thus becomes a doorway into a quieter insight: the sense of time is optional, dependent on the activity of mind, while the ever‑present now is inescapable. Whether waking or sleeping, suffering or at peace, we never leave this now, because there is nowhere else to go.

At the close of the dialogue, the questioner says, “It’s confusing, but it makes sense.” Perhaps that is the right response: confusion as the mind tries to defend its familiar picture, and a deeper sense of recognition as experience itself quietly agrees.

An observation about suffering 

~ DC ~ Leave a comment

Suffering is not born from the world’s brute storm, they say,
but from the story you clutch when the light bends away.
For ages this sounded like incense and prayer,
like a line in a psalm that dissolves into air.
Yet under bright scanners and hard metal rings,
the old whispered claim has grown sinew and wings.
Your brain runs a model, a phantom in flight,
not the world as it is, but its best-guess of light.
A controlled hallucination, the scholars declare,
your cortex predicting what’s “really” out there.
You don’t meet the world in its raw, naked skin,
you meet your own map, folded tightly within.
On that map is a figure, a name and a face,
a continuous “you” threading time into place.
This character feels solid, a column of stone,
the one fixed observer in a world overthrown.
But look a bit closer at this pillar of “me,”
and hairline cracks spider through what you see.
In deep meditation, when thoughts ebb and fall,
the default-mode choir sings softer in the skull.
The voice that repeats, “I am this, I did that,”
begins to grow quiet, grows thinner and flat.
Still the colors stay faithful to wall and to sky,
still the sirens and birdsong go driving by.
What shifts is the distance between “self” and the scene,
the space that once bristled now falls in between.
In certain bright states where the ego dissolves,
the narrator’s grip briefly slackens, absolves.
The story falls silent, the border grows thin,
yet awareness remains, wide and lucid within.
People don’t cry, “I lost something I need,”
they whisper, “A wall I’d mistaken for me.”
The Buddha once sat under branches and air,
watching pain rise and fall like a prayer.
He saw that our clinging to “I,” “mine,” and “own,”
turns passing sharp stones into a permanent throne.
Neuroscience arrives with its graphs and its scans,
and finds similar patterns in synapses and glands.
What the old ones intuited in silence and flame,
the new ones can trace in a neuron’s small frame.
Attachment to story is no moral disgrace,
it is simply the brain keeping track of its place.
Moment by moment, it stitches a thread,
“this proves I’m unworthy,” “this shows I was led.”
The hurt in your chest from a casual slight,
is magnified more by the tale you recite.
A setback at work, a door closing fast,
becomes proof that you’re cursed by the weight of your past.
Joy itself is recruited by this inner scribe,
as a sign you’ve ascended to some special tribe.
But joy doesn’t need such a noble veneer,
it arrives, then it leaves, whether praised or in fear.
When you notice the story instead of its claim,
you see how it pours gasoline onto pain.
You catch the first sentence that rises like smoke,
“I always lose,” “I’m the cosmic joke.”
You pause, and you label it “narration, not law,”
and a small, simple gap opens up in your awe.
The same old event still unfolds as before,
but it no longer drags your whole self to the floor.
Meditators, mystics, and skeptics all find,
they’re quieting circuits, not trading a mind.
Different their doctrines, their temples, their creeds,
yet similar the hush when the story recedes.
Practically speaking, this truth isn’t grand,
it’s simple as breathing, as watching your hand.
You can live as the character, clenched and afraid,
or live as the witness to the story it’s made.
Suffering still happens—this world has its teeth,
but it need not be welded to your core beneath.
Pain in the body is honest and clear,
it rises, it peaks, it wanes and draws near.
What turns it to torment, to lifelong despair,
is the script that insists, “This defines what I bear.”
Ancient philosophers touched this with words,
monks felt it in stillness, in listening to birds.
Modern machines see the network go dim,
when the self-story loosens its ironbound rim.
So what is observed when you truly attend?
Not a fixed, final self, but a pattern that ends.
The observer you think is unchanging and true,
is largely the tale that your neurons renew.
You are not only the character needing defense,
you are also the field where it flickers and vents.
When the story grows softer, the world doesn’t break,
it simply appears with less personal stake.
The point, crenellated in line after line,
is quietly stark and disarmingly fine.
The world was never shouting as loud as you knew,
most of the thunder was coming from you.
Let the verse sink in where your habits reside,
and notice the places the narrative hides.
Then, simply, gently, step back from the claim,
and see that awareness is not bound to its name.
In the end, what resolves all this into grace,
is learning to suffer without a fixed face.
To feel without clinging, to hurt without “mine,”
is the oldest, and newest, contemplative sign.
The self was the story about one who could see,
and stories can quiet, and stories can free.

DCG

Screenshot

Suffering, the ancient philosophers insisted, does not arise from the world itself; it blooms in the space between events and the story you tell about them, in the fragile architecture of identity that you keep reinforcing day after day. For a long time, that sounded like the kind of thing only mystics and poets would say, more hymn than hypothesis. Yet as neuroscience has grown more precise, the old intuition has begun to look less like metaphor and more like a description of how the mind actually works.


Your brain is running a model right now, a living simulation stitched together from memory, belief, and a rolling narrative of who you think you are. Neuroscientist Anil Seth calls this a “controlled hallucination,” the brain’s best guess at reality, constantly revised as new sensations arrive and old expectations clash with them. You never meet the world directly; you encounter the model of the world, and inside that model resides a self—a continuous character with a past to defend and a future to secure. That character feels solid and non‑negotiable, like the central axis of your life that everything else must orbit. But neuroscience keeps finding small fractures in that apparent solidity, little places where the story of “me” slips and reveals itself as constructed.[Attachment]
Judson Brewer’s work with experienced meditators, using fMRI to track what happens in deep meditation, offers one of those fault lines. In those states, activity in the brain’s default mode network—the circuitry most closely tied to self‑referential thought and inner narration—drops noticeably. This is the network that says, “I am this, I did that, I will become this,” the inner commentator stitching events into a biographical timeline. When it quiets, people do not report entering some alien dimension; they report a more subtle shift. The world remains the same—colors stable, sounds unchanged—but the sense of a separate self standing between awareness and experience loosens.


There is a second, more dramatic phenomenon: ego dissolution, described in research on psychedelics and certain forms of meditation and popularized by writers like Michael Pollan. Here the boundary between self and experience does not just soften; for a time, it seems to collapse. The narrator stops narrating altogether, and yet consciousness does not blink out; it remains, now without the constant commentary of “I, me, mine.” What is striking is how people describe this condition afterward. They do not say, “I lost something vital, and I want it back.” They say, “I realized something had been standing in the way,” as if the protective story had also been a veil.


From this perspective, the ancient philosopher was not urging you to abandon morality or deny the reality of pain. He was pointing at a mechanism that no one yet had the tools to observe: the way a brain, left to its own habitual loops, builds a narrative center and then interprets every event through its lens. Attachment to that story is not a sin; it is simply the default mode, the unexamined assumption that the character you play is identical with the awareness that watches. Moment after moment, the brain predicts and explains: this happened to me, this reflects on me, this threatens or affirms me. Over time, those interpretations congeal into a kind of psychological gravity well, pulling every experience into the same familiar orbit.


When meditation, psychedelics, or contemplative practice weaken the narrator, perception does not suddenly blossom into fantasy. Instead, it begins to arrive without being filtered through the character’s needs and fears. You still see the same room, hear the same traffic, feel the same weight of your body in the chair, but the story “I am the one to whom this is happening” loses some of its urgency. That is why contemplatives across traditions—Buddhist monks sitting in silent monasteries, Christian mystics praying in stone chapels, secular researchers watching their own breath on a lab cushion—often report experiences that sound uncannily alike. Their doctrines differ; their rituals and metaphors clash; but they are all experimenting on the same neural circuitry.


This raises a question that is as unsettling as it is clarifying: if this self can grow quiet without the world ending, if the “you” that seems to hold all the suffering is more like a narration layer than a fixed metaphysical fact, then what, exactly, has been suffering? Your body certainly knows pain, but it does not require a story to flinch from heat or shiver in cold. Your senses register the world’s impact—brightness, pressure, texture, taste—regardless of whether a narrator is composing paragraphs about them. Only the character suffers in the particular way that feels like “my suffering,” because only the character is invested in assigning meaning, in deciding that this event proves something about its worth, its desert, its fate.


When you look closely, you begin to see how much of your anguish depends on this layer of commentary. An argument with a loved one does not end with the last sharp word spoken; the argument migrates inward and becomes a story about being misunderstood, betrayed, or perpetually unseen. A professional setback is not just a lost opportunity; it becomes another chapter in the ongoing saga of failure or unfairness. Even joy gets appropriated by the narrator: instead of simply being happy, you start telling yourself that you are finally the sort of person who gets to be happy, or that happiness must be defended before it slips away. The event itself is brief; the narrative echo can last for years.


To hear that the self is a story the brain tells about the one who is seeing can sound cold at first, as if your most intimate sense of “I” were being reduced to mere fiction. But fiction is not nothing; it is one of the mind’s most powerful tools. Stories organize chaotic experience, connect past and present, and allow you to imagine futures that have not yet happened. The problem arises when you forget that you are not identical with the story, when the narrator claims to be the only voice in the room. Then every deviation from the script feels like a personal threat.


The contemplative traditions do not ask you to murder the narrator. They ask you to notice that it is not the only possible vantage point. In meditation, you sit long enough with breath or sensation that the habitual stream of commentary grows, if not silent, at least transparent—you can see through it. Thoughts arise and fall, including thoughts about “me,” but they are no longer taken as commands or prophecies. In those moments, awareness reveals itself as more spacious than the character who normally occupies center stage. The self, which once looked like a granite pillar, begins to feel more like weather: persistent, sometimes intense, but ultimately passing.


What would it mean to live with that understanding in ordinary life, far from retreat centers and laboratory scans? It might begin with a small act: noticing the story as it forms, instead of inhabiting it automatically. You feel a sting of shame and catch the sentence starting to take shape—“I always ruin things,” “People never stay,” “This proves I am broken.” Rather than arguing with the sentence or letting it dictate the rest of your day, you recognize it as narration: the brain reaching for continuity. That recognition does not erase pain, but it separates pain from the elaborate conclusions that prolong and intensify it.


Over time, this kind of noticing constitutes a quiet form of spiritual practice, whether or not you use religious language for it. It aligns with what monks have called detachment, what therapists call cognitive defusion, what some neuroscientists might simply label a change in self‑referential processing. The vocabulary shifts with the culture, but the direction of attention is the same: away from the defended character and toward the open field in which it appears. In that field, suffering still arises—it would be naive to pretend otherwise. But it no longer feels like a verdict on your identity.


The world, in the end, was never as loud as you thought. Circumstances come and go, fortunes rise and fall, relationships begin and end, and the raw data of experience continues to wash through your senses. What has been thunderous is the narrator, the incessant story of “me” trying to make sense of all that flux and, in the process, turning passing pains into permanent grievances. When that voice learns to soften—even slightly—the same world begins to feel less hostile. Events still hurt, but they hurt more simply. The self was not the one seeing; it was the story about the one seeing, and stories, unlike awareness itself, can go quiet.

Source 

Suffering, the ancient philosophers insisted, does not come from the world itself; it comes from your attachment to a story, to the tale you keep telling about who you are and what all of this means. For centuries, that kind of claim sounded like lyricism or mysticism, more poetry than proof. Now, under the lens of neuroscience, it reads less like metaphor and more like a description of a mechanism.[Attachment]
Your brain is running a model right now—an actual predictive model built from memory, belief, and a continuous narrative of identity. Neuroscientist Anil Seth has called this a “controlled hallucination,” the brain’s best guess at reality, refined and updated in real time. What you experience as “the world” is not the world directly; it is this model, and the model includes you: a self, a character with a past, a trajectory, and a seemingly solid center. That character feels permanent, non‑negotiable, the one fixed point in the flux. Yet neuroscience keeps finding cracks in that apparent solidity.


Neuroscientist Judson Brewer, using fMRI scans on experienced meditators, found something unexpected during deep meditative states. Activity dropped in the brain’s default mode network, the circuitry most closely associated with self‑referential thought, the mental voice that says, “I am this, I did that, I will become this.” In these moments, that network does not vanish, but it grows quieter, less insistent, less central. When that narration fades, even briefly, people do not report the arrival of a new world; they report a change in their relationship to the same world. Colors do not shift, sounds do not distort, but the sense of a separate “me” standing between experience and awareness loosens.


Research into psychedelics and meditation, as reported by Michael Pollan, goes a step further and introduces what investigators call “ego dissolution.” In these states, the boundary between self and experience temporarily collapses, and the inner narrator does not just soften—it stops narrating altogether, if only for a moment. Paradoxically, people do not describe this as losing something essential; instead, they describe realizing that something had been standing in the way the entire time. The ancient philosopher, speaking from intuition and reflection, was pointing toward a mechanism that no one yet had a machine to see.


Attachment to the story of self, in this light, is not a moral failure or a character flaw. It is simply the brain running its default prediction loop, uninterrupted, moment after moment, across a lifetime. When the narrator weakens, perception does not become magical or otherworldly; it simply stops being filtered through the demands and anxieties of a character. This is why meditators from seemingly incompatible traditions—Buddhist monks, Christian contemplatives, secular researchers—often describe strikingly similar experiences. They are not converging on a single doctrine; they are all quieting the same neural circuit.


That convergence forces an uncomfortable question into view. If the self can fall quiet without the world ending, if the “you” that feels so bruised and burdened is, in fact, a layer of narration rather than a fixed ontological fact, then what exactly has been suffering all this time? It is not your body; the body does not require a story to register pain or pleasure. It is not your senses; they continue to function with or without a narrator commenting on them. Only the character suffers in this particular way, because only the character is invested in defending, explaining, and justifying itself.


The self, then, was never the thing that directly sees the world. It was a story the brain tells about the one who is seeing, a useful fiction stitched together from memory and prediction. And stories, unlike the raw fact of awareness, can go quiet. When they do, the world does not grow louder or stranger; it simply appears without being overshadowed by the constant commentary of “me.” The world was never as loud as you believed.

I held your shadow like a gospel in the rain 

~ DC ~ Leave a comment

I held your shadow like a gospel in the rain,
while you kept circling exits in your mind.
I called it love, a holy, aching stain,
you called it “too much,” “heavy,” “misaligned.”
I memorized your silence like a hymn,
you memorized the map back to your door.
I begged for scraps of presence, loud and thin,
you starved the flame, then said I asked for more.
I named the rush between us “destiny,”
that lightning in the chest that feels like fate.
But it was limerence dressed up as divinity,
a fever dream that taught my heart to wait.
I carved your absence into sacred art,
framing every withdrawal as a test.
You called my longing “clinging, torn apart,”
then wore my devotion like a tightened vest.
I stalked your moods like weather on a screen,
reading clouds for proof that you still cared.
You stood half-in, half-out, politely mean,
terrified of depth, of being bared.
I made excuses for your vanishing acts,
“they’re just afraid, they love me but can’t stay.”
I bent my spine around your missing facts,
choosing the fantasy over what you’d say.
I called this chaos “soulmate, twin-flame fire,”
because the burn felt too intense to be untrue.
But pain is not a compass, not a choir,
it’s often just my nervous system screaming you.
True love is quieter than my shaking hands,
it doesn’t thrive on begging or on chase.
It meets me in the open, where I stand,
and doesn’t flinch when I show all my face.
True love says, “Rest,” not, “Earn another day,”
it doesn’t vanish when I finally fall apart.
It holds, not hooks; it doesn’t make me pay,
and doesn’t weaponize a tender, open heart.
I used to think that needing you was proof,
that the more I ached, the deeper it must be.
But love is not the chain, it is the roof,
a shelter where both souls walk in free.
So if you feel this storm inside your chest,
and call it love while losing who you are,
Ask if your devotion ever gets to rest,
or only circles ’round a distant star.
Because limerence will tell you this is fate,
while you bleed out beneath a borrowed name.
And true love waits beyond that anxious gate,

the kind that stays without demanding pain as proof of flame.

RSP

DCG

Screenshot

How do you know if you actually love somebody, or if you’re just attached to them?


Love, in its most healthy and mature form, is a decision. It’s an intentional, consistent choice to nurture the growth, well-being, and soul of another person because of who they are, not because of what they do for you or what they give to you. You look at this person and you respect them, you admire them, you trust them, and you see them as your equal.


Love creates a space where both people can be fully themselves, can feel safe, and can evolve and grow.


But attachment, on the other hand—attachment is based on need or emotional gratification. It’s about how the other person makes you feel: safe, desired, validated, important, or not alone. And while that’s not inherently bad—we all have needs—unhealthy or anxious attachment is self-focused. It clings out of fear of loss, loneliness, or abandonment, rather than genuine appreciation for who that person is.


So, to recap:
• Love says, “I love them for who they are.”
• Attachment says, “I need them to be around because of what they do for me—how they make me feel.”


Make sure the person you’re with is someone you’re truly in love with, and not just someone you’re toxically attached to.

“The strongest, kind of love“

~ DC ~ Leave a comment

Poem: “The Strongest Kind of Love”


How do you walk away while your heart still stays?
I ask it softly, on my knees, in ordinary days.
You still love them, but you know you can’t remain.
Your chest is full of oceans, your mind is split with pain.
They say “move on” like feelings have a switch.
You search your skin for buttons, but there’s only an old itch.
This isn’t about pretending that you’re done.
It’s choosing your own pulse while you still miss someone.
You, the anxious soul who waits for every sign,
Count the minutes, read the silence, call it “love” and call it “mine.”
You think if you can just hold tighter, they won’t flee.
But their avoidant bones are built for running free.
You don’t have to wait until your heart is clean.
You can walk out of the fire while your love is still unseen.
You don’t have to hate them just to leave.
You can carry what was holy and still let yourself grieve.
Love doesn’t vanish simply because you’re done.
It lingers like faint daylight after the setting sun.
Sometimes you leave while the love is still alive.
That isn’t failure; it’s the way your truth survives.
You can adore them and still see you’re misaligned.
Emotion in your chest, but broken structure in your mind.
Anxious hearts beg, “Tell me I am enough.”
Avoidant hearts flinch, “You are close, this is too much.”
Love is the burning, compatibility is the frame.
If trust and steady effort crack, the house won’t stay the same.
Missing them doesn’t prove you chose it wrong.
It proves you’re human, and your feelings still are strong.
Your mind replays the highlight reel at night.
Soft hands, warm laughter, bodies framed in golden light.
Healing asks you not to edit out the grey.
Remember the stone-cold mornings when they pulled themselves away.
Remember the unanswered messages on your phone.
The way you twisted loneliness into “this is being grown.”
Missing someone should not bleach the facts you know.
You left because your nervous system couldn’t take the blow.
Closure, you thought, would come wrapped in a perfect speech.
One last talk, one clean reason you could finally reach.
But avoidant hearts slip out the backdoor in the dark.
They fear the very flame that lit your anxious spark.
Real closure isn’t something they can send.
It’s the moment you decide that this is truly the end.
Grieve as if your whole sky split in two.
Cry in your parked car, write what they once meant to you.
Talk it through with someone who can hear.
Feel the full weight of the love and of the fear.
But don’t set up your furniture inside the pain.
Grief is a passing storm, not your lifelong name.
You are not the breakup, not the night you bled.
You are the person standing, still alive, still being led.
So cut the secret strings that keep you near.
No more scrolling their feed when you drown in fear.
No more old messages like scripture on your phone.
No more songs that resurrect what should be left alone.
Distance isn’t punishment for what they didn’t give.
It’s the fence you build so your own heart can live.
Rebuild your mornings without their face.
New coffee cups, new routes, a quieter kind of grace.
Create small rituals that don’t depend on “us.”
New pages, long walks, a life that doesn’t rust.
Your anxious system learns a different sound.
Not panic, not pursuit, but steady, sacred ground.
Then forgive yourself for staying long in that storm.
For believing love could change what was never fully warm.
You held on because you hoped they’d meet you there.
Because you saw their potential through the fog of your despair.
That doesn’t mean that you were naive or small.
It means you cared enough to give your heart in full.
Release the shame that says you should have known.
You did the best you could with the tools you were shown.
Here is the truth that hits the deepest bone:
Moving on isn’t betrayal of the love you’d grown.
You are not turning on the past with cold disdain.
You are blessing what it taught you and stepping out of pain.
One day this impossible love will lose its knife.
It will soften into story instead of running your whole life.
It will be a chapter, not the book you clutch at night.
You will sleep without their shadow blocking out your light.
You can love someone and still choose your peace.
You can miss someone and still let the chase decrease.
You can cry over someone and still move on.
Because the strongest kind of love is knowing when it’s gone.
And gently, in a voice that finally sounds like you,
You say, “I release you, and I stay with what is true.”

RSP

…

DCG

Screenshot

How to move on when you still love someone? If you still love them, but you know you can’t stay, this is the part nobody prepares you for. Because moving on isn’t about turning your feelings off. It’s about choosing yourself while your heart is still attached.
Number one, stop waiting to not feel it anymore. You don’t have to hate them to leave. You don’t have to be over them to move forward. Love doesn’t disappear on command. Sometimes you move on while still loving them, and that doesn’t make you weak. It makes you emotionally honest.
Number two, separate love from compatibility. You can love someone deeply and still not be aligned. Love is emotion, compatibility is structure. If the structure is broken—trust, effort, timing, maturity—love alone cannot hold it together. Missing them doesn’t mean you made the wrong choice. It means you’re human.
Number three, stop romanticizing the highlights. Your mind will replay the best moments, the laughter, the intimacy, the comfort. But healing requires balance. Remember the confusion, too. The nights you felt anxious, the times you felt unheard. Missing someone should not erase the reasons you had to let go.
Number four, accept that closure is often internal. You may never get the perfect apology, the perfect explanation, the perfect goodbye. Waiting for closure from someone else keeps you emotionally tied. Real closure happens when you decide that what you experienced was enough information.
Number five, grieve fully, but don’t unpack permanently. Cry, journal, talk it out, feel it, but don’t build a home inside the pain. Grief is a season, not an identity. You are not the breakup, you are the person surviving it.
Number six, remove silent access. Stop checking their page, stop rereading old messages, stop playing songs that reopen the wound. Healing cannot happen while you’re secretly feeding the attachment. Distance is not about punishment, it’s about protection.
Number seven, rebuild your routine without them. Love weaves people into your daily life: good morning texts, shared habits, weekend rituals. When it ends, the emptiness feels loud. So create new rhythms, new habits, new small joys. Your nervous system needs fresh stability.
Number eight, forgive yourself for staying as long as you did. Sometimes we hold on because we hoped it would change, because we saw potential, because we believed in love. That doesn’t make you foolish, it means you cared. Release the shame. You did the best you could with the version of yourself you were.
And here’s what hits the deepest. Moving on isn’t betrayal. You’re not betraying the memories, you’re not betraying the love you felt, you’re not betraying the version of you that wanted it to work. You’re honoring your future. And one day, the love that feels impossible to release right now will soften. It won’t sting the same. It won’t control your thoughts. It will become a chapter, not the whole story. You can love someone and still choose peace. You can miss someone and still choose growth. You can cry over someone and still walk forward. Because sometimes the strongest kind of love is the one where you let go gently.

— Jordan Peterson 

A recovery from the cycle of trauma 

~ DC ~ Leave a comment

What I have learned

From my time spent with you

My strategy going forward

I present for your review

I have come to the precipice of truth 

The strength of your faith and the error of your convictions will entangle

You are the medicine for my soul

Yet over this cliff I dangle 

I forge through the pain

I stumble, but still, I fight

To resolve and reach a triumph

I now learn what I know is right

I stop and pause

I identify my state

I convey and communicate

I seek to co-regulate

See it, own it, solve it, do it

This is the mantra I make 

Learn it, master it, embrace it, teach it

This is now the path that I take 

Overtime with discipline

Laughter  and positive energy divides the drama

To allow the gateway for a healing

A recovery from the cycle of trauma

RSP

…

DCG

Screenshot

Stop and pause if you have a conversation like this…

Unknown Speaker A] It’s not my responsibility to teach you how to be in a relationship with me.
[Unknown Speaker B] What? Your emotions are none of my responsibility. Go see a therapist.
[Unknown Speaker A] I’m not your parent.
[Unknown Speaker B] I don’t have time for any of this.
[Unknown Speaker A] It’s not my job to teach you how to communicate.
[Unknown Speaker B] Be an adult.
[Unknown Speaker A] It’s not on me to help you heal in our relationship. That’s on you.
[Unknown Speaker B] Not a mind reader. I shouldn’t have to deal with this. Like I’m not here to raise you. Be whole or be gone.
[Unknown Speaker A] I have zero tolerance for this.
[Unknown Speaker B] This is a hard no.
[Unknown Speaker A] You know what? I’m just going to leave.
[Unknown Speaker B] Good. Do it.
[Unknown Speaker A] Me too.

Retrain your communication to sound more like this…

[Unknown Speaker B] what can I do to help you?
[Unknown Speaker A] What do you need right now?
[Unknown Speaker B] How can I help you feel loved?
[Unknown Speaker A] What does this mean to you?
[Unknown Speaker B] What are you struggling with that I’m not seeing?
[Unknown Speaker A] What triggers are coming up for you that I can help understand and be there for you?
[Unknown Speaker B] How can I help you feel safe right now?
[Unknown Speaker A] How can I help you feel loved right now?
[Unknown Speaker B] I’m at my capacity, but I love you. I’m going to take a break, but I’d love to talk about this once I regulate my nervous system.
[Unknown Speaker A] I love you. I don’t love this behavior, but I do love you and I do believe we can work through this.
[Unknown Speaker B] I love you, but this behavior has this effect on me and unfortunately it hurts our relationship, but I want to work it out because I want to stay close to you.
[Unknown Speaker A] Are you willing to work on this?
[Unknown Speaker B] Are you willing to work on this?
[Unknown Speaker A] I am willing to work on this.
[Unknown Speaker B] I am willing to work on this.
[Unknown Speaker A] I am so sorry for hurting you and I’m going to do better in the future.
[Unknown Speaker B] I’m sorry that my trauma is getting in the way of our healthy relationship. I want to heal this.
[Unknown Speaker A] I love you.
[Unknown Speaker B] I love you.
[Unknown Speaker A] I choose this relationship.
[Unknown Speaker B] I choose this relationship.
[Unknown Speaker A] I choose you.
[Unknown Speaker B] I choose you.
[Unknown Speaker A] We can do this.
[Unknown Speaker B] We can do this

if there is the thought that you are never going to have hard times in a relationship, no one would ever stay in any long-term relationship if you had to be perfect and you could never have a mistake or do anything hurtful. That is an impossible expectation.[Attachment]
[Unknown Speaker B] We have both hurt each other so much out of unawareness, ignorance, toxic patterns.


[Unknown Speaker A] So many chapters of life that bring out the worst in you, stress. There’s so many unforeseen things that can happen in a lifetime with someone that you have to be willing to go through the highs and lows. But I’ll tell you what, the highs have been epic, of course. But then of course there are the low times too. The healthiest relationships are not relations that have not been through challenges. It’s that they’ve been through challenges and they learn how to show up for each other, forgive, have compassion and love each other through those challenges. That’s what makes the strongest relationships.

Intermittent light

~ DC ~ Leave a comment

keep asking how I could be the one who will not stay inside
When every cell in me is begging you, please don’t run, please don’t hide.
I say I want a gentle love that meets me where I stand
But I only start to feel alive when you slip out of my hand.
I swear I’m hunting tenderness, a heart that shows me through
Yet my body lights up like a storm when I am chasing after you.
The steady ones feel colorless, like rooms without a sound
I crave the door that slams on me, then creaks and swings back round.
I learned this dance in childhood, where comfort came then froze
Where warmth would turn to distance, like a door that never chose.
Sometimes my needs were tended to, then suddenly withdrawn
That rhythm carved my nervous system, dusk tied tight to dawn.
Now intermittent kindness is the only song I know
I wait for love, then brace for loss, then beg you not to go.
In conflict I start shrinking first, I drop my fragile claim
I fold my truth into an apology, take all the blame.
I tell you, “You are right, not me, I should not feel this way”
Because the thought of losing you still terrifies me more than what I say.
I offer you my open throat and call it being kind
While quietly I walk away from pieces of my mind.
My boundaries blur to watercolor, soaking in your mood
I call it love while swallowing my own unspoken food.
I’ve been a lifelong strategist at not becoming left
I trade my needs for borrowed peace, a quiet kind of theft.
The spark I feel when I’m not enough is chemically precise
It tastes like terror mixed with hope, the sweetest poison ice.
My shadow loves this hunger, it mistakes it all for fate
It thinks that burning in your orbit is the highest state.
But every time I disappear to keep you from the door
I’m teaching my abandoned self that she is less and less and more.
More desperate and more silent, more hollow and more small
Less worthy of a steady hand that doesn’t make her crawl.
To heal, I must betray the script that kept me safe but tight
I have to risk you walking out to stand inside my light.
I have to name the pattern clear, the hook, the chase, the fear
And treat my shaking honesty as something you must hear.
Recovery is not romantic, it’s the slow unlearning of the chase
It’s sitting with my lonely self, and letting stillness touch my face.
It’s choosing those who show up close, not only when I bleed
It’s reaching out with steady hands, not weapons of my need.
My testimony isn’t clean; it’s ink and ash and bone
But if you recognize this war, you don’t have to fight alone.
We were not born to orbit hurt, or beg and call that care
We’re meant to turn and face ourselves, and find someone still there.

RSP

…

DCG

Screenshot

Anxious preoccupied is actually very emotionally unavailable. According to Dr. Sarah Hensley-

Since I am an AP, I can testify to these statements when examining my behavior.

“I know the APs out there, you sweet, precious, warm, empathetic, loving APs, you’re like, how could I be emotionally unavailable? All I want from my avoidant partner is emotional vulnerability.
No, you don’t. You think you do, but you are fundamentally not attracted to people who are emotionally available. In fact, they give you the ick. You’re not attracted to that. You are only attracted to people who give you the intermittent reinforcement, which is sometimes your emotional needs are met, then it pulls away, then sometimes they’re met, then it pulls away. That intermittent reinforcement is what you got in childhood. It is what creates your attachment anxiety and it is what keeps it flowing, okay? And you don’t know anything different than that.
If they don’t give you a push–pull or if you don’t have to chase them and convince them that you are worthy of not abandoning, then you are not attracted to them. And then inside of conflict, sweet AP, you tend to fawn. You tend to give up on your own needs, abandon them, become boundaryless, become doormats, and hang on to whatever breadcrumbs you’re getting, okay? In conflict, you just go, you know, I’m sorry, you’re right. I’m sorry. Totally, you’re right. I shouldn’t have never brought that up. I shouldn’t have ever brought that up. You’re right, I’m wrong. Please don’t be mad at me because if conflict starts going sideways, that fear of abandonment pops up and it’s easier to just apologize and make it go away than actually stand strong in your own needs.
It’s hard for you to speak up when things hurt you because, again, you are afraid of conflict because conflict could lead to abandonment. If you’re not being made to feel not good enough and working harder to be good enough in the relationship, you don’t feel that chemistry, you don’t feel that spark. And so, you’ve never really been attracted to people that could give you true emotional availability consistently inside relationships, and that has to do with your own deep fear of vulnerability yourself. But your superpower is your warmth and your kindness.
Sometimes you can be a people pleaser—let’s face it, a lot of the time. You can be a people pleaser and whenever you’re people pleasing and you’re codependent and you’re boundaryless, you’re abandoning yourself. And I know that it’s hard to understand that what you’ve been doing most of your life is self‑abandonment, but it is. And earning your attachment security means that you get to finally stop abandoning yourself and finally give and receive true emotional vulnerability and emotional nurturing and co‑regulation inside of a relationship.
You may be able to give some of it, but only to the person that makes you chase them to give it.”

A dismissive, kind of grace 

~ DC ~ Leave a comment

You learned to disappear before you learned your name,
standing in the doorway, counting how long silence could stay.
Your toy was the clock and the way it slowed time,
your prize was the numbness that kept you from crying.
You built yourself a fortress out of distant skies,
answering every question with carefully folded lies.
Not because you loved deception more than truth,
but because truth was punished in the halls of your youth.
They called you “independent,” said you needed no one there,
praising the way you vanished from the weight of honest care.
You wore that word like armor over shaking skin,
confusing being self‑reliant with never letting anyone in.
John Bowlby would have seen the trail beneath your feet,
the crumbs of broken trust that made closeness feel like defeat.
He’d name the pattern “avoidant,” a dismissive kind of grace,
where needing someone feels like a crime you must erase.
You learned to love by stepping half a room away,
heart in a locked drawer, smile on polite display.
When someone moved closer, your body rang the alarm,
not because they meant you danger, but because love once meant harm.
CPTSD is not a headline carved in stone,
it’s the quiet, constant weather in a house that’s never home.
It’s the way you scan for exits when someone says your name,
the way you blame yourself for every spark of shame.
You dated like a ghost who paid the bill and left,
leaving tender hearts behind you, puzzled by your theft.
They only saw your absence, not the sirens in your mind,
where every intimate moment felt like being trapped and tied.
In your chest lives a child who still expects the blow,
who flinches at the softness that they never got to know.
Attachment was a storm that ruined every shore,
so now you build your life inland and call it “needing less” and “needing more.”
There are tragic little endings that no one ever sees,
like the messages you never send and the hugs you never need.
The partner who sleeps inches from your unconfessed despair,
the friend you quietly abandon before they prove they care.
Yet this is not an accusation, nor a pointing, shaming hand,
just a mirror held with reverence so your heart can understand.
That your distance is a language, not a moral, fatal flaw,
learned from years of being punished simply for having needs at all.
Healing does not demand you rush into the fire of touch,
or trust the first kind stranger who swears they’ll be enough.
It asks for tiny experiments where you stay when you’d withdraw,
where you notice that your body shakes yet nothing breaks the law.
One day you may discover, in a therapist’s calm room,
or in the steady eyes of someone who does not presume,
that survivorship was genius, not an error in your code,
and that gently dropping armor is not betraying what you’ve owed.
So if you see yourself here, in these quiet, careful lines,
know this is not a verdict, but a space where truth aligns.
You are not your distance, nor the silence you deploy,
you are a nervous system that once had no other choice.
CPTSD and attachment form a tapestry of scars,
maps of how you protected your heart from loveless wars.
And if you choose, with patient hands, to stitch a future new,
you may find that what once saved you can learn to shelter you.

RSP

…

DCG

Screenshot

Survivors notes 


For many survivors, it feels like an incomplete story. Their trauma wasn’t a single, definable event; it was a prolonged state of being. This is the reality of complex PTSD, or CPTSD. Today, we cut straight to the point: we will explore the critical, life-altering differences between these two diagnoses. This isn’t just information; it’s validation for a pain that is often misunderstood, because you can’t begin to heal a wound you don’t fully understand. Let’s get into the differences.[Attachment]
Difference one, the source of the wound. The first and most fundamental difference lies in the very nature of the traumatic experience; this is the bedrock upon which everything else is built. PTSD is typically linked to a single, terrifying event, or a series of events over a limited period—such as a serious accident, a physical or sexual assault, a natural disaster, or combat exposure. The event has a clear beginning and a clear end, even if the memory of it continues to haunt the present. The mind is trying to process an overwhelming experience that shattered its sense of safety in the world; it is a reaction to a horrifying event that happened to you. CPTSD, on the other hand, arises from slow, relentless exposure to trauma. It stems from prolonged, repeated traumatic situations where the victim has little or no chance of escape. This is not a single event; it is a state of being, often lasting for months, years, or even decades. The most common sources are experiences like ongoing childhood physical, emotional, or sexual abuse, being a prisoner of war, long-term domestic violence, or living in a situation with a complete loss of control. In these situations, the trauma isn’t an interruption to your life; it is your life. The person inflicting the pain is often a caregiver, a parent, a partner—the very people who were supposed to be the source of safety. This betrayal is a poison that seeps into the foundation of a person’s being. The wound of PTSD is a battle scar; the wound of CPTSD is the cage itself, and the memory of how you learned to live inside it.
Difference two, the emotional echo. How the trauma echoes in a person’s daily emotional life is another key distinction. In PTSD, the emotional landscape is often characterized by extreme highs and lows. A person might experience intense flashbacks that feel as real as the original event, plunging them back into terror. They live in a state of hypervigilance, constantly scanning for danger with an easily triggered startle response; the emotional state is one of being on guard against a threat that might return at any moment. Then, to cope, they may swing to the other extreme—emotional numbness and avoidance—trying to feel nothing at all to escape the overwhelming fear. CPTSD includes all of that, but it goes deeper, affecting the very core of a person’s ability to regulate their emotions on a day-to-day basis. Because the trauma was constant, the dysregulation becomes constant. This can manifest as explosive anger that seems to come from nowhere, or a persistent, heavy sadness that colors every experience. It can also look like a chronic difficulty with self-soothing. While someone with PTSD might be trying to manage panic attacks, a person with CPTSD might be struggling with the basic act of feeling calm or content in their own skin. There can also be periods of suicidal thoughts, not necessarily from a desire to die, but from a desperate need for the relentless internal pain to finally stop. It’s not just about reliving the storm; for many with CPTSD, it’s about having forgotten what the sun ever felt like.
Difference three, the shattered mirror. Perhaps the most painful and defining feature of CPTSD is its devastating impact on a person’s identity and self-concept. With PTSD, an individual’s sense of self is often shaken; they might say, “I’m not the same person I was before the accident.” The trauma is seen as something that happened to them, an external event that left an internal scar; they are a survivor of a terrible thing. With CPTSD, the trauma becomes internalized. It’s not what happened to you; it’s what you believe you are. Because the abuse or neglect was often relational and happened during formative years, the victim absorbs the blame. A child can’t comprehend that their parent is unsafe; instead, their mind concludes, “I must be unlovable. I must be bad. I am the problem.” This leads to a toxic sense of shame—a feeling of being fundamentally flawed, worthless, or disgusting, a belief that you are broken beyond repair. This isn’t just low self-esteem; it’s a core identity built on a foundation of worthlessness. While the person with PTSD fights the memory of what happened, the person with CPTSD fights the very reflection they see in the mirror every single day. Healing from PTSD is often about integrating a terrible memory; healing from CPTSD is about rebuilding a self that you were taught to hate.
Difference four, the broken compass in relationships. Our early experiences form a blueprint for how we connect with others, and this is where CPTSD leaves one of its deepest and most confusing marks. For someone with PTSD, relationships can become difficult: they may withdraw from loved ones, feel detached, or become irritable, straining even the strongest bonds. Their fear and hypervigilance can make it hard to trust others and feel safe in intimacy; the world feels dangerous, so people feel dangerous. For someone with CPTSD, the blueprint for relationships itself is corrupted. The trauma was often inflicted by a person who was supposed to be a source of love and protection; the roles of caregiver and abuser, love and pain, became tangled together. As a result, relationships in adulthood become a minefield of confusion and fear. This can manifest in several ways: a person might desperately crave intimacy but be terrified of it, pushing away anyone who gets too close. They may unconsciously recreate the dynamics of their original trauma, finding themselves in relationships with people who are unavailable, controlling, or abusive, because chaos feels more familiar than safety. They may struggle to trust anyone, including themselves, leading to a painful sense of isolation—an invisible loneliness that persists even when surrounded by people. The core wound isn’t just a fear of being hurt by others; it’s a deep-seated uncertainty about what a safe and loving connection even looks or feels like.
Difference five, the escape inside. Dissociation is a defense mechanism the mind uses to disconnect from overwhelming experiences; it’s a form of mental escape when physical escape isn’t possible. Both PTSD and CPTSD involve dissociation, but its role and presentation are different. In PTSD, dissociation often occurs during the traumatic event itself or during a flashback. It can feel like an out-of-body experience, or as if you’re watching a movie of your life; it’s a temporary, powerful defense against a specific, overwhelming threat. In CPTSD, dissociation is not just a defense mechanism, it’s a way of life. When a child is trapped in a reality that is consistently terrifying or painful, their mind learns to check out for long periods; it becomes a primary coping strategy that carries over into adulthood. This can look like chronic fogginess or brain fog. It can manifest as significant memory gaps from childhood. It can be a feeling of being a detached observer of your own life, as if you’re on autopilot. This isn’t just about escaping a memory; it’s about escaping the constant, moment-to-moment pain of your own existence. It’s the mind’s last refuge when the body cannot escape. This chronic detachment can make it incredibly difficult to feel present, to connect with your own emotions, or to feel truly alive and engaged in the world; it’s the ghost-like feeling of living a life that doesn’t entirely feel like your own.
Difference six, the loss of a system of meanings. Finally, we arrive at one of the most existential differences: the impact on a person’s belief system. Trauma of any kind can shake a person’s worldview; someone with PTSD might struggle with the question, “Why did this happen to me?” and may feel that the world is a more dangerous place than they once thought. It challenges their sense of justice and safety. CPTSD, however, can completely annihilate a person’s entire system of meaning. When you have been systematically broken down by other human beings for a prolonged period, it can lead to a complete loss of faith in humanity itself. The belief in a just world, in the inherent goodness of people, or in any kind of higher power or spiritual source of comfort can be completely shattered. This isn’t just disillusionment; it’s a deep, spiritual despair—a sense of hopelessness that can feel absolute. The search for meaning becomes excruciating because the evidence of your life has shown you that meaning, safety, and justice do not exist. For many with CPTSD, the healing journey isn’t just about managing symptoms or processing memories; it’s the monumental task of trying to find a flicker of light, a reason to hope, in a world that they were taught is nothing but darkness.
So, as we see, while they share the word trauma, PTSD and CPTSD are distinct experiences that leave different wounds. One is a scar from a terrible event; the other is a complex architecture of survival built in response to a toxic environment. Recognizing these differences is not an academic exercise; it is an act of validation. It is the first step toward finding the right kind of help, the right kind of therapy, and the right kind of self-compassion. Understanding that your struggles with relationships, your emotional turmoil, and your shattered sense of self are not character flaws, but predictable consequences of what you endured, is powerful. It shifts the narrative from “What is wrong with me?” to “What happened to me?” And that is where the power to heal truly lies.