Am I  Channeling  Carl Jung


Am I Channeling Carl Jung?


Why do I keep returning to the door
I learned to fear before I learned my name?
What am I hoping to find beneath the floor?
Why does each poem go back there just the same?
Jung called it shadow: what we push away.
Is mine the anger I was taught to hide?
If I invite it in, what will it say?
And can I hear it without taking its side?
I wrote of learning silence in a house.
Did silence keep me safe, or leave me small?
Do I still go quiet as a mouse
When no one here is angry after all?
I wrote of wearing calmness like a coat.
Who taught me how to fasten every seam?
When hurt comes near, why do I clear my throat
And speak as though I’m safely in a dream?
Why does my pride arrive prepared for court
With every slight arranged to make its case?
What does it guard when it cuts kindness short?
What fear is hiding underneath its face?
I wrote that thought could make a fortress last.
Was learning then a shelter from the pain?
When I explain each detail of the past,
Why does my heart still walk into the rain?
I studied how a person comes to be,
The mind, the soul, the habits we repeat.
Did all those years of study help me see,
Or keep me from the feeling at my feet?
Jung listened for the parts a life concealed.
Do I keep hearing them beneath my page?
Is there a grief I’ve carefully not revealed,
Or fear I’ve called good sense for half an age?
Why do I read a silence as a sign?
Why do I search a face for coming rain?
Whose old voice sounds so much like mine
When I tell myself I must endure the pain?
What do I make of that boy on the field,
Still waiting for somebody to draw near?
What did he learn when no one asked him how he’d healed?
Why does his silence still live in me here?
I speak of love, then turn and guard the gate.
I ask for closeness, then prepare to flee.
Is this the shadow Jung asked us to face:
The frightened part I will not let be me?
And what of all the good I set aside?
The softer self I feared the world would bruise?
Is there a gentleness I learned to hide
Because I thought that I would have to choose?
Would Dostoevsky’s man beneath the ground
Know why I argue with myself at night?
Do I build proofs where no proof can be found
So I can say I’m right instead of frightened?
Why does this question follow all I write?
Has something pressed its shape into my soul?
If I can name the thing and bring it light,
Must I still feel it to become more whole?
I think of Maslow and the life I sought.
Is growing more than reaching some clear height?
If all I’ve done is learn to master thought,
Who holds the hurt I keep outside my sight?
Am I, like Jung, pursuing what I miss
When I mistake the mask for all I am?
Can I hold both the wound and joy in this,
And stop condemning one to save the man?
I almost sign this page, then change my mind.
Must I give strangers every private name?
Can I leave those I love and hurt behind
The curtain, yet speak plainly of my shame?
Can I ask the question without scorn?
Can I meet the boy and not demand his proof?
What part of me was waiting to be born
While I stood outside myself beneath the roof?
Please help me understand what’s going on inside.
Not just the story, but the ache beneath.
Can I sit with what I used to hide
And let a feeling pass without a speech?
I think I’m on a path that Jung once knew:
To meet the hidden self, not win a fight.
My steps are mine; his questions help me through.
Could I be growing whole by facing night?

…

DCG

“The most self-aware person in the room is often hiding the deepest pain.
People who were emotionally neglected as children become the biggest intellectualizers in therapy and the healing journey. They get stuck overanalyzing over and over, but terrified of feeling anything in their body.
They might walk into a therapist’s office and get told, ‘Wow, you’re so self-aware. Seems like you got it all figured out.’ But instead of relief and validation, they feel hollow instead, because what’s actually happening is a defense. It’s the suppression of the grief, the anger, the shame, the anxiety that never got to cycle through to actually release.
You see, a child’s first instinct when they are neglected is to cry out for help, to reach for connection. But when that call keeps getting ignored, they learn something else instead: that their cries don’t work. And so they go into the prison of their mind instead. They suppress the feeling, they disconnect, dissociate, and intellect becomes the only safe place left.
And it sure fools everyone, including themselves. But what’s underneath is a nervous system that actually collapsed. It’s the belief that feeling emotions puts them in a helpless and hopeless situation.
The intellectualization isn’t really making them smarter. It’s just trauma that’s still in control, and it costs them dearly: relationships that never really feel safe, a body that never gets to relax and loosen up, years—maybe even decades—understanding themselves so perfectly while nothing actually changes underneath.
But eventually, like all coping mechanisms, it starts to break at the seams: random bouts of crying, reactivity that they can’t explain, numbing out, avoiding hard conversations, or having hard conversations that immediately turn into explosions.
Now, if this is you and you want to get out of this, you have to go beyond the mind, and that’s a journey into the body, into the nervous system, into the parts that you never got to develop.
So one quick move that you can do the next time that feelings come up inside you is to place a hand—a soft hand—on where you notice it in your body. And there’s a lot of science backing this up now: just stay with it for at least 60 seconds and ride it out. Let the feeling happen. Short window, but big impact.
You might find out that you actually move through the feeling and get to the other side without having to suppress and overthink.
— mindfulness 

Serling Inspired  

The solemnity of our grief 

The anguish in our eyes 

A crisis of conscience

The reason for our lies 

The misanthrope

The beguiled

The forsaken 

The destiny of a child

The false profits

The helrs of sophistry

A travesty within a tragedy -just ask Dostoevsky 

The cult of personality


An “underground man” can build a throne from fear,

Then call the throne his sight;

He shuts the door on what he hears,

And says the room is right.

He sees a wound in someone’s face

And thinks he knows its cause;

He puts his judgment in its place

And calls that judgment law.

The child grows up beneath that gaze,

And learns to hide the bruise;

He wears the mask his father made

Until he thinks he chose.

The liar fears the truth will burn

The last good thing he owns;

He cannot bear to look, or learn

Who suffers for his throne.

And what of us who stand nearby

And see the child grow still?

What truth have we refused to try,

What silence served our will?

Perhaps the hardest thing to face

Is not the liar’s claim,

But how we turn from someone’s pain

To keep a spotless name.

…

DCG

The boy in the doorway

An announcer voice opens the show as “The Thunder God Radio Hour,” introduces the title and author, and calls out each chapter break the way a 1940s serial would.

The dream after the wound 

The Dream After the Wound


A hypothesis on waking reflection, trauma patterns, and the possibility of becoming


Prologue: The Work of Looking Again
This is not an argument that dreams are prophecy, coded instruction, or a perfectly accurate archive of childhood. It is a more modest—and perhaps more useful—hypothesis: when we examine dreams in waking life, we may find a temporary clearing in which old emotional patterns become visible.
For a person shaped by developmental trauma, the past does not always remain in the past. It can persist as an automatic orientation toward danger, abandonment, shame, appeasement, isolation, or self-erasure. These patterns may have begun as intelligent adaptations: a child’s effort to preserve safety, attachment, or emotional survival when there was not enough protection, explanation, or comfort available. The problem is not that the child adapted. The problem is that the adaptation can continue long after the original danger has passed.
Gabor Maté’s formulation is useful here: trauma is not only the event; it is also the wound that forms within a person as a result of what happened. In childhood, this inner wound may deepen when difficult experiences must be endured without a dependable adult to help name what occurred, regulate overwhelming feeling, or restore a sense of safety.[cbc]
Dreams may not give us a literal replay of the past, yet they can present its emotional architecture. A dream may place us in an unfamiliar house, a lost city, a crowd, a classroom, a family gathering, an impossible journey, or a relationship that never existed exactly as shown. But beneath the altered scenery, a recognizable pattern can emerge: I am alone again. I cannot speak. I must rescue someone. I will be punished for being seen. I cannot get home. I must work harder to be loved.
The hypothesis explored here is that writing down and reflecting upon such dreams can make these patterns more available to conscious thought. The dream becomes less a verdict and more a scene for inquiry. Rather than asking, “What does this dream prove?” we might ask, “What old emotional rule is appearing here, and does it still have to govern my life?”
This approach is not a replacement for trauma-informed therapy, medical care, or sleep treatment. It is a personal testimony and a perspective open to examination. For me, DC Gunnersen, the practice has offered a way to meet old material at a distance—not to deny it, not to dramatize it, but to look again, with more adult capacity, more language, and more choice than I had when the original experiences occurred.
A Waking Study of Dreams
I have lived with the reverberations of childhood trauma and what is often called complex post-traumatic stress. I have known how the past can become a hidden operating system: working underneath ordinary life, shaping expectations, reactions, attachments, fears, and the instinct to abandon oneself before anyone else has the chance.
For years, some of these patterns were not fully visible to me in daylight. They arrived as reactions before they arrived as thoughts. A moment of silence from another person could feel like rejection. A disagreement could feel like danger. A need could feel like a burden. A private shame could masquerade as a moral obligation to remain quiet, useful, agreeable, and unseen.
Then dreams began to offer another kind of encounter.
I have used methylene blue for several years and have noticed unusually vivid dreams, often remembered in striking detail upon waking. I do not offer this as evidence that methylene blue is a treatment for trauma, or as a recommendation for anyone to use it. It is not. In particular, methylene blue can interact dangerously with serotonergic medications and substances, and should be reviewed with a prescribing clinician or pharmacist who knows a person’s complete medication and supplement list.[fda +1]
But the vividness itself led me toward a practice: I began to record dreams, sit with their emotional atmosphere, and ask what old pattern might be moving through a new story.
The important insight was not that every image possessed a fixed symbolic definition. A locked door is not always “about” one thing. A childhood home is not necessarily a recovered factual memory. A threatening stranger may not stand for one identifiable person. Dreams can be strange, composite, theatrical, and irrational.
Yet their emotional movement can still be instructive.
A person may dream of being late, but the deeper experience is terror at disappointing someone. One may dream of losing a way home, while the living theme is disorientation after years of emotional neglect. One may dream of trying to speak but having no voice, and recognize an old learned rule: My truth creates trouble. My needs cannot be safely heard.
The waking examination of a dream can therefore become an exercise in compassionate pattern recognition. It may allow a person to notice the difference between an old survival expectation and a present reality.
That difference matters.
What Evidence Supports
There is evidence for the broader claim that sleep, especially REM sleep, is involved in emotional-memory processing. Researchers have linked REM sleep with the processing of emotional and fear-related memories, while PTSD is associated with disturbing dreams, recurrent nightmares, and disrupted sleep processes. This does not prove that every dream reveals a hidden personal truth. It does suggest that dreams can be connected to the emotional material the brain and nervous system are working with.[nih +1]
There is also evidence that deliberately engaging dream imagery while awake can help some people with trauma-related nightmares.
The clearest example is Imagery Rehearsal Therapy—also called nightmare rescripting. In this structured cognitive-behavioral approach, a person identifies a recurring distressing dream, changes the storyline into a less threatening or more empowered version, and rehearses the revised imagery during waking hours. The American Academy of Sleep Medicine identifies imagery rehearsal therapy as the recommended treatment for nightmare disorder and PTSD-associated nightmares.[va +1]
Research does not promise identical results for everyone. Some studies find meaningful improvement in nightmare frequency, distress, sleep quality, and PTSD symptoms; others find smaller or mixed outcomes, especially among people with severe, chronic PTSD. That uncertainty is important. The responsible conclusion is not that dreamwork cures trauma. It is that intentional, supported work with dream imagery can be beneficial for some people and deserves serious consideration.[pmc.ncbi.nlm.nih +2]
This matters because it validates a modest version of what I have experienced: a dream need not be obeyed, feared, or decoded as a supernatural message in order to become useful. It can be observed, written down, felt, questioned, reframed, and placed beside present-day life.
The potential benefit lies in turning an automatic experience into a conscious inquiry.
The Hypothesis of Reorientation
My working hypothesis is simple:

When a dream repeats an old emotional pattern in a new situation, waking reflection may help a person identify the pattern, separate past conditioning from present reality, and choose a less self-destructive response.

This is not an invitation to overinterpret every dream. It is an invitation to listen for emotional repetitions.
The questions that have helped me are uncomplicated:
• What was I trying to do in the dream?
• What feeling governed the scene?
• What did I fear would happen?
• What did I believe I had to do to remain safe, loved, or acceptable?
• Where does this same rule appear in my waking relationships?
• What would I want the adult self to offer the younger self who learned that rule?
• What one present action would express a different understanding?
The purpose is not to blame oneself for childhood adaptation. A child who becomes vigilant, pleasing, silent, detached, or excessively responsible is trying to survive emotionally. Such patterns deserve respect before they can change.
But survival is not the same as freedom.
The dream can become a private theater where the old rule is exposed: the need to appease, the fear of abandonment, the belief that love must be earned, the habit of disappearing before one’s needs become inconvenient. In waking life, one may then begin to build a different response: a boundary, a request, a pause, an act of self-trust, a refusal to chase what repeatedly wounds.
For me, this is not merely dream interpretation. It is a form of reorientation.
It is the slow recovery of an inner persona that was kept trapped—not because it lacked worth, but because it lacked enough room, witness, safety, and language to process what had happened. The work is to meet that former self with a mind that can now understand more, forgive more carefully, and live with greater authority.
Perhaps that is what healing sometimes is: not erasing the past, but refusing to let its old instructions remain the sole author of the future.


A Poem: “The Dream Asks Again”


What enters when the daylight thins,
And draws the old rooms into view?
A child still listening within,
To learn what fear once taught was true.
Why does the hallway have no end,
Why do I search for keys at night?
What broken message did I send,
To make myself become so slight?
A face appears, then fades away,
A door is shut without a sound;
Did I believe I had to stay,
Where love was never safely found?
I wake and ask the dream its name,
Not as a prophet or a judge;
Perhaps it holds an older flame,
That asks my heart to shift and budge.
What rule was written in my chest,
When no one helped me bear the storm?
Must I still fail the secret test,
Or can I give my life new form?
The dream is not a map of fact,
Nor proof of every wound I knew;
It is a stage where shadows act,
And show what old alarms still do.
Can I look back without retreat,
And name the fear without its reign?
Can I stand calmly on my feet,
And let the past unclose its chain?
I was not made to always hide,
Or beg for warmth I could not claim;
The child I was still lives inside,
But need not carry all the blame.
So let the dream return at dawn,
With questions I can meet awake;
From what was lost, a self is drawn,
And wiser roads are mine to make.

…

DCG


A Perspective, Not a Prescription
This essay offers a hypothesis rooted in personal experience, established trauma concepts, and limited but meaningful evidence from nightmare-focused therapies. It does not claim that all dreams are therapeutic, that all trauma can be resolved through dream reflection, or that anyone should force themselves into distressing material alone.
If dreams are recurrent, terrifying, sleep-disrupting, or accompanied by worsening anxiety, dissociation, depression, self-harm thoughts, substance escalation, or physical dream-enactment, professional support is warranted. A trauma-informed therapist, particularly one familiar with PTSD, CPTSD, nightmares, and imagery rehearsal therapy, can help make dream exploration safer and more structured.
Still, I believe there is a possibility worth considering.
For those of us who have spent years governed by unnamed patterns, the dream may offer a strange but usable gift: an image of the internal life that ordinary consciousness has learned to avoid. If we meet it gently in the morning—without superstition, without certainty, without self-condemnation—it may help us see what we have been carrying.
And once seen, what was automatic may become discussable.
What becomes discussable may become understandable.
What becomes understandable may, little by little, become changeable.

Sources and Further Reading
The following sources support the limited claims made in this essay: that sleep and dreaming are connected to emotional-memory processing; that trauma-related nightmares can reflect ongoing distress; and that structured waking work with nightmare imagery—especially Imagery Rehearsal Therapy—has evidence of benefit for some people. They do not establish that every dream has a fixed meaning or that dream reflection alone resolves trauma.

  1. Morgenthaler, Timothy I., et al. “Position Paper for the Treatment of Nightmare Disorder in Adults: An American Academy of Sleep Medicine Position Paper.” Journal of Clinical Sleep Medicine, vol. 14, no. 6, 2018, pp. 1041–1055.
    The American Academy of Sleep Medicine recommends Imagery Rehearsal Therapy for nightmare disorder and PTSD-associated nightmares. IRT involves revising a nightmare’s imagery while awake and rehearsing the revised version.[pmc.ncbi.nlm.nih +1]
  2. American Academy of Sleep Medicine. “New Position Paper Recommends Treatment Options for Adult Nightmare Disorder.” 14 June 2018.
    A plain-language summary of the AASM position paper, including its recommendation of Imagery Rehearsal Therapy for nightmares associated with PTSD and nightmare disorder.[aasm]
  3. U.S. Department of Veterans Affairs, National Center for PTSD. “Sleep Problems in Veterans with PTSD.”
    Explains that Imagery Rehearsal Therapy, also called nightmare rescripting, involves changing the content of a recurring nightmare to make it less intense or distressing. The VA notes positive civilian trials while also acknowledging that results have been mixed in some veteran populations.[ptsd.va]
  4. Bishop, Thomas M., et al. “A Retrospective Pilot Study of Imagery Rehearsal Therapy for Trauma-Related Nightmares.” Journal of Clinical Medicine, 2023.
    Reports preliminary evidence that a modified, single-session imagery-rehearsal intervention reduced nightmare frequency and intensity, nightmare-related distress, and PTSD symptoms in a veteran sample. As a pilot and retrospective study, its findings should be treated as promising rather than conclusive.[ncbi.nlm.nih]
  5. Casement, M. D., and L. M. Swanson. “A Meta-analysis of Imagery Rehearsal for Post-trauma Nightmares: Effects on Nightmare Frequency, Sleep Quality, and Posttraumatic Stress.” Clinical Psychology Review, vol. 32, no. 6, 2012, pp. 566–574.
    A meta-analysis finding that imagery rehearsal was associated with substantial improvements in nightmare frequency, sleep quality, and PTSD symptoms, with benefits reported at follow-up.[nih]
  6. Hutchison, I. Claire, and colleagues. “Emotional Memory Processing During REM Sleep With Implications for PTSD.” Frontiers in Psychiatry, 2023.
    Reviews evidence that REM sleep plays a role in emotional and fear-memory processing and discusses how PTSD can involve recurring, emotionally charged dreams and disturbed sleep processes.[nih]
  7. Walker, Matthew P., and Robert Stickgold. “Sleep and Emotional Memory Processing.” Sleep Medicine Clinics, 2011.
    Reviews research connecting sleep with the processing and consolidation of emotional memories. This research supports the general proposition that sleep can be relevant to emotional processing; it does not assign a fixed meaning to an individual dream.[nih]
  8. Maté, Gabor. The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture. Avery, 2022.
    Maté’s central formulation—“Trauma is not what happens to you; trauma is what happens inside you as a result of what happens to you”—helps frame trauma as an enduring internal adaptation, not merely a past event.[cbc]
  9. Herman, Judith L. Trauma and Recovery: The Aftermath of Violence—From Domestic Abuse to Political Terror. Basic Books, revised edition, 2015.
    A foundational account of trauma recovery centered on safety, remembrance and mourning, and reconnection. Useful background for understanding why paced reflection and supportive relationships matter in recovery.
  10. van der Kolk, Bessel. The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma. Viking, 2014.
    Explores how trauma can shape bodily alarm, memory, emotion, and relational patterns, and discusses approaches to restoring present-day agency.
  11. Fisher, Janina. Healing the Fragmented Selves of Trauma Survivors: Overcoming Internal Self-Alienation. Routledge, 2017.
    A practical, trauma-informed account of understanding entrenched reactions as protective survival responses rather than character defects.
  12. Hartmann, Ernest. Dreams and Nightmares: The New Theory on the Origin and Meaning of Dreams. Plenum Press, 1998.
    Hartmann’s work is especially relevant to the idea that dreams may represent emotional concerns through images and metaphors rather than through literal replays of experience.
  13. Hill, Clara E. Dream Work in Therapy: Facilitating Exploration, Insight, and Action. American Psychological Association, 1996.
    Presents an integrative model for working with dreams in psychotherapy through exploration, insight, and practical waking-life action. The approach emphasizes the dreamer’s own associations rather than an authority imposing a universal symbolic interpretation.[marquette]
  14. Ullman, Montague, and Nan Zimmerman. Working with Dreams. Delacorte Press, 1979.
    A classic collaborative method of dream exploration that treats the dreamer as the final authority on a dream’s personal meaning.
  15. U.S. Food and Drug Administration. PROVAYBLUE (Methylene Blue) Injection: Prescribing Information. Revised 2024.
    Included solely for the medication-safety note in this essay. FDA labeling warns that methylene blue may cause serious or fatal serotonin syndrome when used with serotonergic drugs or certain opioids. Any use of methylene blue should be reviewed with a qualified clinician or pharmacist who has a complete list of medications, supplements, and substances used.[fda +1]

Note to readers: This essay is a personal reflection and a hypothesis, not medical or mental-health advice. Dreams do not provide a certain diagnosis, recovered factual history, or one universal meaning. Anyone experiencing recurrent nightmares, severe distress, disrupted sleep, dissociation, or worsening trauma symptoms should consider working with a licensed, trauma-informed mental-health professional or sleep specialist.

Which child were you?

I wrote this poem for my brother!

Which Child Were You?


A letter to my brother, in nine quatrains
Same house, same table, same hard rules,
one father’s word, one mother’s hand —
and still no two of us grew up
inside the same small patch of land.
A stranger put it into words
this week, in language plain and low:
the one who shines, the one who’s blamed,
the one who fades so none will know.
I know which one of those was me.
I asked for nothing. I stayed small.
I learned that needing was a risk
and silence was the safest wall.
No hand was raised at me, no praise,
no punishment, no word, no name —
a boy who stood inside a doorway
hoping to be seen. I’m still the same.
And you — you took the harder start,
the word he used when you’d done no wrong,
the page that would not hold its letters.
I watched. I stayed quiet. All along.
Then something shifted. Years went on.
He made you room. He said your name.
The son who fought the page he’d fought —
and I stood outside, watching, again.
And Mother loved us. I believe it.
She also turned and looked away.
She never stood between us and him.
That is the hardest thing to say.
Our parents both are gone. The roles
they wrote have no one left to keep.
I love you, brother. We don’t talk.
The house is empty now. It sleeps.
So ask yourself — not me, yourself —
which of those children did you know?
And if you ever want to tell me,
I’m here. I have been. I won’t go.

CLG

…
DCG

No Child Ever Grows Up In The Same Home
The Narcissistic Family System, and Why You and Your Siblings See the World So Differently

No Child Ever Grows Up In The Same Home
The Narcissistic Family System, and Why You and Your Siblings See the World So Differently

I’ve been wondering for years why two people can grow up in the same house and turn out as completely different people. So I decided to do some research on narcissistic family systems to understand what’s actually going on here.
You and your siblings grew up in the same house. Same parents. Same dinner table. Same rules. So why do you see the world so differently?
That’s because no child ever grows up in the same house.
Psychologist Judith Rich Harris found that no two children in the same family actually grow up in the same environment. Birth order, economic changes, and the age of the parents at different points in their lives means completely different childhoods can happen under one roof.
But in a narcissistic authoritarian household, something else also happens.
A narcissistic authoritarian parent is not just difficult or selfish. They’re someone who rules the family through fear, control, and punishment. Their word is law. Questioning them is not allowed. Disagreeing with them is dangerous.
The family learns one rule above all else: go along to get along, or you’re going to face the consequences.
Love in this household is conditional. It is a reward for compliance. Obedience buys you safety. Disobedience gets you punished. And the punishment is not just from the parent — the whole family learns to enforce the punishment, because they don’t want to become the next target.
The parent does not raise children. They manage them. Each child gets assigned a role based on one thing: how useful they are to that parent’s ego and control. And once that role is assigned, the entire family system works to enforce it forever.
Here are the three childhood roles a narcissistic authoritarian family needs in order to function.
One: The Golden Child
The golden child is the one who always seemed to have it easier. More praise, more protection, more forgiveness when things went wrong. Every achievement got celebrated. Every failure got explained away.
From the outside it looks like love. From the inside it was a transaction.
Psychologist Karyl McBride, author of the book Will I Ever Be Good Enough?, spent decades studying narcissistic family systems. She called this the golden child dynamic. The child is not loved for who they are. They are loved for what they perform — for how well they make the parent look good.
So they learn the game early. Stay close to power. Follow the rules. Report back to the parent. And when someone steps out of line, make sure the parent knows about it.
They are the hallway monitors. The ones who tell the teacher when someone is running in the hallway, and then smile when the kid gets in trouble.
At first they do it to survive. Siding with the authority figure means safety. Enforcing the rules means approval. Watching someone else get punished means they’re not the one getting punished.
What starts as survival becomes their identity. They stop just enforcing the rules to stay safe. They start enjoying it. They learn to love watching people get punished. They get a rush from being on the side doing the hurting. They become the bully — not just the bully’s assistant.
Dr. Ramani Durvasula, clinical psychologist and professor at California State University, Los Angeles, found that golden children frequently develop narcissistic traits as adults. Entitled, unable to empathize, convinced the rules exist for everyone but them. They grow up becoming the abuser, the controlling partner, the abusive boss — the parent who starts the whole cycle over again with their own children.

And because cruelty feels like safety in that house, cruelty feels like safety everywhere they go. When a powerful person mocks someone, humiliates someone, punishes someone who stepped out of line, their brain does not feel disgust. It feels comfort. It feels familiar. It feels like home.
That is why they’re drawn to bullies. That is why they become the bully’s most loyal defender. When someone powerful mocks a weaker person or humiliates an opponent, they don’t look away. They cheer. Because their childhood taught them that this is what power looks like — and power is the only thing that ever kept them safe.
They are the most susceptible people in the family to any authoritarian figure who comes along. And the cycle continues through them into the next generation.
Two: The Forgotten Child
The forgotten child never got targeted. They got something worse. They got ignored.
No praise. No punishment. No attention of any kind. They were simply not useful enough to bother with. The parent was too busy performing for the golden child and punishing the black sheep to notice them at all.
Not consciously, but systematically, they made themselves invisible. They stopped asking for things, stopped making noise, stopped having needs that might draw attention. They faded into the walls of the house and learned to survive on nothing.
Psychologist Karyl McBride identified the lost child as the most neglected and overlooked role in the family. By the time these children are adults, they often cannot tell what they want, what they feel, or what they need — because nobody ever asked them.
That type of neglect hollows a person out. They grow up believing that they don’t matter, that their needs are inconvenient, that wanting things is selfish, that the safest version of themselves is the smallest one.
As adults, forgotten children gravitate toward partners who ignore them. Bosses who overlook them. Friendships where they give everything and receive nothing back. Not because they enjoy it, but because it feels like the only kind of relationship they know how to be in.
They are the ones who checked out entirely. Not because they don’t care, but because they learned that engaging with anything powerful gets you noticed — and getting noticed was always dangerous.
What they want most in the world is for someone to finally notice them. And they’re still waiting.
Three: The Black Sheep
If you grew up in a toxic household, you know what this means. You were the target. The scapegoat.
Authoritarian family systems require three roles. The enforcer, which is the authoritarian parent. The loyalists, which are the golden children — they conform and are trained to be instantly obedient. And the scapegoat: someone to blame when things go wrong.
The black sheep was the one they picked on. The one who was always wrong. The one who was always too sensitive, always the problem.
The psychiatrist Murray Bowen at Georgetown University spent decades studying how families assign roles to maintain their dysfunction. He found that authoritarian households need a scapegoat to function. They need someone to dump all their dysfunction onto so everyone else can pretend that everything is fine.
So you become the person who is blamed for everything. The parent trained other family members that if you got punished, it was acceptable for them to join in. They ganged up on you. They learned that hurting you got rewarded.
So you were not just dealing with one toxic parent. At times it was the whole family. Because if they didn’t join in, they became the target as well. Nobody wants to get hurt. Nobody wants to feel like they don’t belong. So they participated. They became complicit. The loyalty test got enforced on everyone in that house.
And they didn’t pick you because you were weak. They picked you because you had things that threatened their system. The empathy for others, which they saw as weakness. Curiosity that threatened their control. The ability to question things they needed to crush.

They tried to hurt you until you complied. Till they broke you. But you never did.
Psychologist Bessel van der Kolk at Boston University spent decades studying what happens to children who grow up in threatening environments. They develop a trauma response where their brain never stops scanning for threats, lies, and manipulation. He called it hypervigilance.
Hypervigilant people watch for inconsistencies. They look for real motives behind what people say. Because when you were a kid, if you didn’t, you got hurt. Hypervigilant people learned that lesson before they were old enough to understand what was happening.
So when someone like that turns up in your adult life — a boss, a partner, a person with a platform — you recognize them immediately. Not as a leader, but as an abuser. The gaslighting, the lying, the cruelty, the need to dominate and humiliate. The demand for unconditional loyalty. It was your family all over again. The black sheep already learned how to survive people just like that.
Some black sheep do not make it out. The weight of being hated by the people who are supposed to love you is not a small thing. It breaks most people. Some spend a lifetime being called weak by the parent who assigned them the role, mocked in public, with the rest of the family joining in. Some drink themselves to death long before old age.
This is what happens when a black sheep never escapes the family system. When they stay close to the family that’s abusing them, the abuse follows them everywhere they go, and they never find their way out.
But some black sheep do escape. And the black sheep who make it through carry something no one else in the family has. That hypervigilance. The brain that never stops scanning, never stops watching, never stops looking for the gap between what someone says and what they actually mean.
It’s both a blessing and a curse. It’s exhausting to live with, but it makes the person impossible to manipulate.
The black sheep was not the problem in the house. They were the only one telling the truth.
Three Children, Three Different Childhoods
The golden child is still performing. Still siding with whoever promises to protect them from the people they were taught to fear. Still becoming the abuser in every room they walk into.
The forgotten child is still disappearing. Still waiting for someone to finally notice them. Still accepting less than they deserve.
And the black sheep is still being told they are the problem — and they’re still the most impossible person in the room to manipulate.
Three children. Same house. Same parents. Three completely different childhoods. Three completely different adults.
The narcissistic parent spent years trying to break the black sheep. Instead, they created the one person in the family who will never be controlled again.

And that’s how the cycle ends. 

—

Source

Source
This transcript comes from a video monologue by writer Lucas Bean, published May 23, 2026:
• Video: Did You Grow Up In A Narcissistic Family? (9:53)
• Written version: No Child Ever Grows Up In The Same Home, Lucas Bean Daily on Substack
The works Bean cites in his written version:
• Judith Rich Harris, The Nurture Assumption: Why Children Turn Out the Way They Do (Free Press, 1998)
• Alice Miller, The Drama of the Gifted Child (1979)
• Karyl McBride, Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers (Free Press, 2008)
• Ramani Durvasula, Should I Stay or Should I Go: Surviving a Relationship with a Narcissist (Post Hill Press, 2015)
• Murray Bowen, Family Therapy in Clinical Practice (Jason Aronson, 1978)
• Robin Stern, The Gaslight Effect (Morgan Road Books, 2007)
• Bessel van der Kolk, The Body Keeps the Score (Viking, 2014)
Editor’s note on the attributions
Three corrections, made silently in the transcript above or noted here, for anyone who wants to follow the research:
Judith Rich Harris was not at Rutgers University. The spoken version of this monologue credits her to Rutgers. She held no academic post at all — she was an independent researcher who wrote The Nurture Assumption from her home in New Jersey after being dismissed from Harvard’s psychology PhD program decades earlier. That is part of what made the book notorious. The affiliation has been dropped from the transcript above; Bean’s own written version makes no such claim.
The author of Will I Ever Be Good Enough? is Karyl McBride, not “Carol.” Spoken as “Carol” twice in the video; corrected above to match Bean’s own citation.

Van der Kolk did not coin “hypervigilance.” The monologue says “he called it hypervigilance,” but the term was established clinical vocabulary long before The Body Keeps the Score — it appears in the PTSD criteria of the DSM-III in 1980. Van der Kolk popularized the trauma framework the clip describes; he did not name the symptom.
The remaining affiliations check out: Ramani Durvasula is a professor at California State University, Los Angeles; Murray Bowen founded the family systems program at Georgetown; Bessel van der Kolk is a professor of psychiatry at Boston University.

Remember, the sun keeps a promise 

“The trees remind you that growth takes patience. Let the wind teach you it’s okay to change direction. Let the flowers show you that every season has its time. Let the ocean prove you can be gentle and strong. And let every sunrise remind you that no darkness lasts forever. Let the trees remind you that growth takes patience.”

—Author unknown — a passage that has circulated on social media for years in several wordings; the closing thought traces back to Ursula K. Le Guin’s “no darkness lasts forever.”

That’s the whole sermon. Nothing in nature apologizes for taking its time. Nothing out there confuses softness with weakness. So here is the poem it pulled out of me — an argument, really, that we don’t have to invent a way to live. We only have to imitate what’s already doing it well.

Remember, the sun keeps a promise

Go stand where the tall trees stand
and watch how slowly they grow.
Nothing green was ever hurried —
patience is all that they know.
Let the wind lay a hand on your face
and turn you loose of your plan.
Changing your mind is not weakness;
it’s the bravest turn in a man.
Let the flowers keep their own clock,
blooming, then letting it go.
There is a season for everything,
even the seasons that come slow.
Let the ocean tell you the secret
that gentle and strong get along —
one hand can cradle a swimmer,
the other can carry a song.
And when the night leans on your ribs
and you count each hour awake,
remember the sun keeps a promise
it has never once failed to make.
So be a tree in your waiting.
Be wind when the road bends wrong.
Be a flower that trusts its own season.
Be water — both gentle and strong.
Be a sunrise for somebody’s darkness.
Be the small stubborn light that stays.
That’s the whole of the human lesson:
we grow by the giving of days.

…

DCG

the Butterfly’s Fact-Checker 

The material argues that dreams feel real because the brain is always constructing a workable world from incomplete signals. In sleep, especially REM, the usual reality-checking systems loosen while emotion remains vivid; the mind can therefore accept impossible scenes without protest. Yet waking perception is also constructed: the brain fills visual gaps, filters what it judges irrelevant, and continually predicts what the world must be like. Dreams are not simply mental errors; they reveal the imaginative, interpretive machinery that makes all experience possible.


Chung Tzu’s butterfly dream adds a philosophical humility to that neuroscience. The question is not merely whether life is “really” a dream, but whether the self and its present viewpoint deserve the absolute certainty we give them. The human being and the butterfly are different, but both belong to the ongoing transformation of things. For my  perspective, this need not make life empty or unreal. It can make us gentler: fragile minds make meaning in darkness, and humility, attention, compassion, courage, and the willingness to begin again are wiser than shallow certainty.


The Butterfly’s Fact-Checker


At three a.m., the heart wakes hard,
A room turns strange, the shadows start;
A dream has dealt its hidden card,
And fear arrives before the heart.
The hallway changes without a door,
The child returns, though years are gone;
We do not ask what came before,
We walk through darkness, moving on.
Behind the forehead, reason keeps
A small lamp burning through the day;
But in the deep and tidal sleeps,
That careful lamp is turned away.
The judge goes home, the fear stays near,
The amygdala keeps watchful flame;
The impossible becomes sincere,
And every phantom knows our name.
Yet waking eyes are not so clear,
They fill the gaps they cannot see;
They miss the gorilla passing near,
Then call their picture certainty.
The brain is sealed in bone and night,
It never touches sun or rain;
It turns mere signals into light,
And builds a world inside the brain.
It guesses floor beneath the feet,
It makes the moving world stand still;
It turns a voice into a street,
A face, a wound, a human will.
So dreams are not a broken mind,
Nor just a failure in the head;
They show the art by which we find
A world from fragments, fear, and dread.
Chuang Tzu once became a wing,
A butterfly without a name;
Then woke to ask what waking thing
Could prove the dream and self the same.
Was he the man who dreamed of flight,
Or was the butterfly awake?
The question does not kill the light;
It asks how much our claims can take.
I am DCG, still learning how
A wounded mind can seek the true;
The self I am is changing now,
As every living self must do.
We are not gods who see the whole,
Nor fools because our sight is small;
We make a world within the soul,
And share its mystery with all.
Let reason serve, but not command;
Let feeling speak, but not deceive;
We walk on guesses, hand in hand,
And learn by what we dare believe.
The dream, the brain, the butterfly—
All say the same unfinished part:
Truth is not owned by those who cry
Most loudly from a guarded heart.
So let the world be strange and wide,
Let change undo the masks we wear;
To live is not to stand outside—
It is to build, to break, to care.

…

DCG

Dreams are not your brain misfiring. They’re not just memory getting filed away while you sleep. And they don’t feel real by accident.
Here’s the part nobody tells you: the feeling of “this is really happening” is not a report your brain gives you about the world. It’s a decision your brain makes. And that decision can be wrong. Every night, for about two hours, it is wrong.
Think about the last strange dream you had. Maybe you were in your childhood kitchen and then, without walking through a door, without any transition at all, you were standing in a hallway from a school you haven’t seen in 20 years. Did you stop and think, “Wait, how did I get here?” Probably not. In the dream, it made perfect sense.
That’s strange. In waking life, if you blinked and suddenly found yourself somewhere else, you’d panic. Your brain would scream that something is deeply wrong. But in a dream, the impossible slides right past you. No alarm, no confusion—just acceptance.
So here’s the question we’re sitting with: what part of your brain is responsible for saying, “Wait, that doesn’t add up?” And where does it go when you’re asleep?
There’s a region right behind your forehead called the dorsolateral prefrontal cortex. Think of it as your brain’s fact-checker. It’s the part that compares what you’re experiencing against what you know to be consistent, logical, possible. It’s the reason you don’t believe you can fly when you’re awake.
During REM sleep, the stage where most vivid dreaming happens, this region goes quiet. Not off completely, but dialed way down. Researchers found this using brain imaging in the 1990s, watching activity drop in exactly the area responsible for judgment, planning, and reality-checking, while the emotional centers of the brain—especially the amygdala—stayed just as active, sometimes more active than during waking hours.
So picture what that actually means. The part of you that questions is asleep. The part of you that feels is wide awake. That combination is exactly why a dream can be completely illogical and completely terrifying at the same time. Your fact-checker clocked out, but your fear didn’t.
Here’s a number that puts this in perspective: if you live to 80 and you spend roughly two hours dreaming every night, you will spend about six years of your life inside dreams. Six years fully convinced, moment to moment, that what you were experiencing was real. Not a rounding error, not a footnote. Six years of a life lived somewhere your fact-checker never showed up to work.
Now, stay with this, because it gets stranger.
There’s a phenomenon called sleep paralysis. Some people wake up—their eyes can even open—but their body stays locked in the muscle paralysis that normally keeps you from acting out your dreams. And in that state, many people report seeing a figure in the room, standing at the foot of the bed, watching.
Across wildly different cultures, with no contact with each other, this experience repeats. In Newfoundland folklore, it’s called the Old Hag. In Japan, kanashibari. In parts of West Africa, a spirit sitting on the chest. Different names, same architecture: a brain caught between two states, half dreaming, half awake, and utterly convinced that what it sees is in the room with it.
This is the moment where the wall between dreaming and reality doesn’t just get thin—it disappears entirely for a few terrifying seconds while a person is technically awake.
Now compare that to something on the opposite end: a false awakening. You dream that you woke up, got out of bed, brushed your teeth, maybe even had a conversation with someone in your house, and then you actually wake up for real this time and realize none of that happened.
Some people report this happening in layers: waking up inside a dream of waking up inside another dream. If your brain can convince you that you’re awake when you’re not, even in stacked layers, then feeling awake was never proof of anything. It was always just a feeling—a very convincing one.
So let’s flip the question. What if the strange part isn’t that dreams feel real? What if the strange part is that anything feels real at all?
Here’s where this stops being about sleep and starts being about you, right now, reading this. Your eyes are not cameras. There’s a spot on your retina with no light receptors at all—your blind spot—and you don’t see a hole there. Your brain fills it in quietly, using guesses based on what’s around it. You’ve never once seen your own blind spot in your entire life because your brain refuses to show it to you.
There’s a famous experiment where people are asked to count basketball passes in a video. Somewhere in the middle, a person in a full gorilla costume walks slowly through the frame, stops, beats its chest, and walks off. About half the people watching never see it. Not because their eyes missed it. Their eyes recorded it perfectly. Their brain simply decided it wasn’t relevant and deleted it before it ever reached conscious awareness.
So the picture you’re looking at right now—the one that feels so obviously, solidly real—is also curated, edited, filled in with guesses. Your waking brain is doing something disturbingly close to what your dreaming brain does. It’s building a model and calling it reality.
Here’s the part that took scientists a long time to really sit with: the brain doesn’t experience the world directly, ever. Not while dreaming, not while awake. Light hits your retina and gets converted into electrical signals. Sound hits your eardrum, same thing. Your brain never touches light or sound. It only ever touches electrical patterns, and from those patterns it builds a best guess of what’s out there.
Neuroscientists have a name for this idea. They call the brain a prediction machine. It’s constantly guessing what should happen next and only correcting itself when the guess turns out wrong.
When you’re awake, that guessing machine is tightly leashed to input from your senses. Every second, the world corrects your guesses. You expect the floor to be there when you step, and it is, so the prediction holds.
When you’re dreaming, the leash is gone. There’s no sensory input correcting the guesses. So the brain just keeps predicting unchecked, and whatever it predicts, it experiences as fully real—because reality was always just whatever prediction currently wins.
This is why dream logic doesn’t feel like logic failing. It feels completely normal in the moment, because normal was never about being logically consistent. Normal was always just whatever your brain currently believes uncontested.
Let’s go back to the fact-checker for a second: that dorsolateral prefrontal cortex. There’s a rare group of people who can keep a sliver of it active during REM sleep. They’re called lucid dreamers. They know they’re dreaming while still inside the dream.
Researchers have used this in genuinely strange ways. In one study, lucid dreamers were asked to signal with pre-agreed eye movements—since the eyes are one of the few things not paralyzed during REM—at the exact moment they became lucid. Scientists watching the EEG could see the fact-checker region light back up right as the dreamer’s eyes signaled, “I know.”
Which means the line between dreaming and waking isn’t a wall. It’s a dimmer switch. And on rare occasions, someone reaches over and turns it partway back up from the inside while still standing in the dream.
So here’s the actual answer to why dreams feel real. It’s not because your brain glitches. It’s because feeling real was never a special, protected status that only waking life gets to have. Feeling real is just what happens when the prediction-checking system is either satisfied or switched off. Dreaming switches it off completely. Waking life mostly keeps it on—mostly.
There’s an old philosophical thought experiment that gets brought up whenever this topic comes up, and I want to handle it carefully because it usually gets used the wrong way.
A long time ago, a Chinese philosopher named Zhuangzi (Chung Ezu) wrote about dreaming he was a butterfly, flying around, doing exactly what a butterfly does, with no awareness that he was a man at all. When he woke up, he wrote that he didn’t know anymore whether he was a man who had dreamed of being a butterfly, or a butterfly now dreaming that he was Chung Tzu.
Most people use this story to say, “Maybe nothing is real. Maybe it’s all an illusion.” That’s not actually the interesting part. The interesting part is what it says about the tool doing the judging.
Zhuangzi’s brain in the dream was completely convinced it was a butterfly. No doubts, no internal fact-checker raising a hand. The tool he used to judge, “Am I dreaming right now?” is the exact same tool that gets fooled while dreaming. You can’t use a broken measuring stick to check if the measuring stick is broken.
This is where it gets personal, and this is where most explanations of dreams stop short. If your brain’s sense of “this is definitely real” can be fully hijacked at night by a system with no outside input, running purely on internal prediction, then the confidence you feel about anything—dreaming or awake—was never proof of truth. Confidence is just a feeling your brain generates when its internal model isn’t currently contradicted.
This isn’t a reason to distrust everything. It’s the opposite, actually. It’s a reason to notice how much work your brain is doing silently every single second just to hand you something that feels solid enough to walk in, talk in, fall in love in, grieve in.
Right now, as you watch this, your brain is filling in your blind spot. It’s ignoring your nose, even though it’s technically always in view. It’s stabilizing a world that’s actually jittering across your retina every time your eyes move, which is dozens of times a second. None of that reaches you. You just get the finished product: smooth, continuous, convincing.
Dreams don’t feel real because your brain makes a mistake at night. Dreams feel real because that’s the only trick your brain knows. Feeling real is the trick. It runs it while you’re awake and calls it perception. It runs it while you’re asleep and calls it a dream. Same machine, same trick, different amount of outside correction.
So what do you do with that? You could decide this makes reality less trustworthy. Some people land there and stay stuck, wondering if anything means anything, if it’s all just prediction and construction underneath.
But here’s another way to hold it. You are a three-pound organ sitting in total darkness, sealed inside bone, that has never once directly touched light, sound, warmth, or another person. Everything you’ve ever loved—every sunset, every voice you recognized before you saw the face it belonged to, every dream you woke up from gasping—all of it was built, constructed in the dark by something that had to guess its way toward you.
And it did it well enough that you’re moved by music, well enough that you cried at a film you knew was fake the entire time you were watching it, well enough that a dream about someone you lost can bring them back for a few minutes so convincingly that waking up feels like losing them twice.
That’s not a flaw in the system. That is the system working exactly as designed, doing the one job it has always had: take signals that were never light or sound or touch to begin with and turn them into a world worth being inside.
Somewhere out there, right now, in a universe so large that the light from some stars left before there were eyes anywhere to see it, there is a small, dark, sealed organ guessing its way toward a world and getting it right often enough that you fell for it every single day of your life without noticing.
You are not a passive witness to reality. You are its author, working from fragments every second, without a break, without a draft, without ever once getting to see the finished manuscript from the outside.
So the next time a dream shakes you awake at three in the morning, heart pounding over something that never happened, don’t be embarrassed by how real it felt. That’s not your brain failing you. That’s the only thing it has ever known how to do. And somehow, most nights, it’s enough to fool you into a whole life.

—The clip is rhetorically effective, but some statements are more definitive than the underlying evidence warrants.

The Razor’s Inner Edge 

From Thought to Presence


There was a time when I believed that understanding life meant thinking my way through it.
I was drawn to psychology, philosophy, metaphysics, literature, and the restless effort to locate some order beneath the confusion of experience. I wanted to understand why people loved and withdrew, why families carried silence like an inheritance, why pain hardened some people and deepened others. I had always been observant, often more comfortable in thought than in exposure. The mind was a refuge: a place where experience could be examined, named, sorted, and perhaps made less dangerous.
But thought alone could not teach me how to live.
During my early years at San Diego State University, I volunteered as a crisis-intervention counselor in an SDSU-connected setting. The training was Rogerian—rooted in Carl Rogers’s client-centered approach—and it confronted something essential in me. I had long been what I would call a “heady” person: introspective, analytical, philosophical, and inclined to meet life through reflection. Yet crisis work demanded something that analysis could not replace. It required presence. It required trust. It required the ability to hear another person without rushing to correct, diagnose, rescue, or turn their pain into an intellectual problem.
The work taught me that people in distress do not always need an answer first. Often they need to know that another human being has remained in the room with them—emotionally, attentively, without judgment or abandonment.
That realization became an awakening. I began to see how much of my own emotional life had been held at a distance. My childhood and adolescence had taught me ways of surviving that were often more cerebral than relational. I could think deeply about pain without always allowing myself to feel it. I could understand emotional patterns without fully entering the vulnerability of emotional connection. The Rogerian environment challenged that division. It asked me not to abandon thought, but to join it with feeling.
This did not make me less philosophical. It made philosophy more personal.
I began to understand that empathy is not a mystical power, nor is it the claim that one can see perfectly into another person’s private mind. It is a discipline of attention. It is the willingness to listen closely enough that another person feels less invisible. It is the humility to recognize that we may understand someone’s wound without excusing what they do with it. It is compassion with boundaries; it is mercy without blindness.
That tension has remained at the center of my writing.
Through essays, poems, personal reflections, and explorations of attachment, memory, loss, forgiveness, vulnerability, and the human condition, I have tried to give language to emotions that people often carry without a voice. I have written about loneliness and longing, the injuries passed through families, the difficult work of self-knowledge, and the possibility that pain can become something other than a life sentence. Not a badge of superiority. Not an excuse for harm. But a source of humility, insight, and a deeper responsibility toward others.
My interest in becoming a more emotionally mature person has never meant rejecting the intellect. I believe the intellect matters. It gives us discernment, context, language, proportion, and the ability to question our own assumptions. But intellect without tenderness can become cold observation; emotion without reflection can become chaos. I have spent much of my life trying to bring the two together: mind and heart, analysis and presence, moral responsibility and compassion.
The ideal has been self-actualization—not as a polished image of perfection, but as an ongoing act of becoming. To become more honest without becoming cruel. To become more emotionally open without losing oneself. To understand suffering without worshipping it. To recognize the woundedness in another person without permitting that woundedness to govern one’s own life.
This pursuit was also shaped by The Razor’s Edge, both W. Somerset Maugham’s novel and the classic film adaptation starring Tyrone Power as Larry Darrell. Larry’s journey gave dramatic form to a question that had already begun forming in me: What would it mean to refuse the shallow measurements of success and seek a truer inner life?
The story did not offer me a formula. It offered a spiritual and psychological challenge. Larry’s search suggested that a human being could choose a life of inward examination, moral seriousness, and compassionate awakening—even at the cost of certainty, approval, comfort, or convention. The story helped make visible a conviction I have carried for years: that character is not merely inherited, announced, or assumed. It is designed in the choices we make when no one is applauding.
I remain unfinished. I remain a person who thinks too much at times, feels deeply at others, and continues to wrestle with the distance between who I have been and who I hope to become. But the pledge remains clear.
To be more present.
To listen more carefully.
To let compassion be intelligent.
To let intelligence become humane.
To become, however imperfectly, a person whose character is built upon a foundation of goodness.


The Razor’s Inner Edge


I came to thought as others come to prayer,
A quiet room where troubled echoes cease;
I built my shelters out of words and air,
And called the distance from my heart a peace.
The mind could name the fracture in the bone,
Could chart the grief that wandered through the years;
Yet every answer kept me still alone,
A careful scholar of unwept-for tears.
At State, where youth still argued with the dawn,
I entered rooms where broken voices came;
The masks I wore in thought were slowly drawn,
By sorrow speaking softly of its name.
No clever phrase could lift a soul from night,
No theory held a trembling hand in place;
I learned that listening was its own hard light,
And trust began when judgment left the face.
The heady self was challenged by the heart,
The guarded child was asked to come inside;
I learned compassion was a living art,
Not merely pain observed and classified.
I felt the old partitions start to bend,
The mind and feeling meeting without war;
A stranger’s anguish could become a friend,
Without becoming all that I was for.
Then Larry walked the razor’s inward edge,
Through wealth and war, through solitude and flame;
He made no loud or righteous public pledge,
But sought the soul beneath ambition’s name.
Tyrone Power, quiet in that searching role,
Gave shape to questions living under mine:
What is the worth of gaining all control,
If we abandon what is most divine?
Not fame, not ease, not monuments of praise,
Could settle what the inward journey asks;
A life is formed in ordinary days,
When truth removes the well-rehearsed masks.
I do not claim a wisdom I have won,
Nor sight that reads the secrets others hide;
I only know the work is never done,
To meet the world with conscience at my side.
To feel without becoming ruled by grief,
To think without becoming cold or proud;
To offer wounded hearts a little relief,
And speak with kindness when the world is loud.
To know a wound may explain a cruel way,
Yet never make its consequence dissolve;
To give forgiveness room, but not betray
The self that must be guarded to evolve.
So let me build, through error and repair,
A character no passing storm can bend;
With reason, mercy, courage, and with care,
Becoming more humane until the end.

…

DCG

The Quiet Work of Surviving

The Quiet Work of Surviving 


I have learned that pain does not always shout,
Sometimes it sits beside the bed at night,
And asks what all this living was about,
While I keep watch for one remaining light.
I once believed each insult needed war,
Each careless word required my reply,
But storms will gladly rattle every door,
And wisdom knows which windows to walk by.
The tongue can strike, the stranger can condemn,
The crowd can turn a small wound into flame,
Yet I have spent enough of life with them
To know that noise is seldom worth my name.
I do not say this from a mountain’s height,
I have been thin-skinned, angry, lost, and vain,
I have confused my hunger with a right,
And made a private weather out of pain.
There was a time I begged the world to see,
To name me good, to tell me I belonged,
As if applause could make a self of me,
As if the loudest chorus could be strong.
But praise is wind; it comes and goes at will,
And criticism has its hungry art,
So I have tried to stand a little still,
And keep a quieter census of the heart.
I know the mind can build a courtroom cell,
Then call its old accusers back to speak,
And I have played both judge and prisoner well,
Inventing laws for every human weak.
Still, I have found no healing in contempt,
No victory in growing hard and cold,
The wounded soul is not made whole by hate,
Nor does revenge redeem the wounds of old.
I carry faults I cannot quite dismiss,
The anxious mind, the hunger to be known,
Yet there is grace in seeing what is this—
A flawed man learning how to walk alone.
Not lonely, then, but honest with the scar,
A little less compelled to prove I’m brave,
The wave may doubt the vastness where we are,
But still belongs to ocean, tide, and wave.
So if I move, I move by inches now,
No trumpet call, no grand heroic art,
Just one more breath, one more unbroken vow,
To leave some room for mercy in the heart.
I have not conquered life; I only know
The soul grows stronger when it will not flee,
And peace is not a prize the proud can show—
It is the strength to let oneself still be.
…

DCG

The child beneath the quiet 


The Child Beneath the Quiet


I learned to hear the weather in a face,
To know when silence meant the storm was near;
A child can turn a hallway into space,
And make a home of watching out for fear.
The room would change because one voice was loud,
One shadow claimed the furniture and air;
I learned to make myself both small and proud,
As if no wound could find me hiding there.
I studied every tightening of the jaw,
The sudden cold that entered through a glance;
I called it love because I had no law,
But love should never make a child advance.
I begged for praise the way the thirsty plead,
A single word to prove that I was real;
Then blamed myself for every buried need,
And learned to doubt the things I dared to feel.
There was no middle ground inside that place,
You were a saint until you caused offense;
Then mercy vanished from the human face,
And innocence was treated as defense.
I carried that old courtroom in my head,
Into the arms of anyone I knew;
I sought approval like a starving bread,
And feared the door each time a loved one withdrew.
The body keeps a record of the night,
It flinches at a tone, a slammed-up door;
It reads a harmless silence as a fight,
And stands prepared for what is gone no more.
I do not call the damage destiny,
Nor make the past a throne on which to stay;
The wound explains the frightened parts of me,
It does not get to choose my every day.
I name the lie that said I had no worth,
I see the borrowed voice beneath my own;
It came from someone damaged long before,
But I refuse to make that damage stone.
Forgiveness is not saying it was right,
Nor washing clean the harm that left its mark;
It is the choice to set the burden light,
And stop mistaking suffering for dark.
I turn to knowledge, patience, breath, and truth,
To what is mine: my judgment and my will;
I cannot give the lost man back his youth,
But I can teach the child inside be still.
Some nights he wakes when old impressions burn,
And asks why love was sharpened into blame;
I hold him close and tell him we will learn:
The fire was real, but we are not its flame.
The past wrote chapters in a brutal hand,
Its ink ran deep through memory and bone;
Yet here I stand, still learning how to stand,
No longer asking monsters for a home.
I keep the scar, not as a god or chain,
But as a map that shows how far I came;
The child still cries beneath the adult pain,
But now he hears me speak his truer name.
…

DCG


Narcissists are envious of others, but they mask their envy as respect or admiration in an attempt to obtain what they need from someone who they, in fact, envy. They can feign being very accommodating and appreciative if they believe that you can serve them in some way.
Narcissists are deficient in the capacity to feel gratitude towards others. They are convinced they don’t need others, so they perceive needing others as a sign of weakness. Due to their empathy deficits, they have little to no capacity to care for others, to share with others, or to love others.
Narcissists believe that by nature, they are better and superior human beings. They hold high views of themselves, even if those views are in stark contrast with their reality. They like to be in charge, and they believe themselves to be competent even when they aren’t. They overestimate their attractiveness even when others don’t find them attractive or appealing. They believe themselves to be brilliant, even when their IQ scores prove otherwise. They exaggerate their talents and achievements, even when they don’t have anything substantial to show for them.
And because of all this, narcissists look down on and dehumanize others. Narcissists cannot tolerate when things are not perfect, and because nothing is ever perfect in reality, they don’t believe that anything or anyone is good enough for them. This is why they don’t value fidelity and loyalty, and they have no problem betraying others.
Narcissists psychologically block out other people when they are talking to them and relating to them as if they are really just talking to a mirror. When the mirror does not reflect back exactly what they want, which it never can in reality, they become irritated or enraged. This is why they cannot tolerate being challenged, disagreed with, or insufficiently admired.
Narcissists are emotionally impulsive and can lash out when they experience negative emotions, but not always overtly. They project their negative emotions onto others, which causes the recipient of their lash-outs to experience the narcissist’s negativity almost as a physical blow. They also possess an uncanny ability to extract good feelings from those who get caught in their drama.
Narcissists don’t relate to people unless the person they relate to serves a particular purpose for them. They are highly insufficient at collaborating and cooperating with others. Narcissists only use people for their own one-sided purposes and needs.
Narcissists are responsibility avoiders. They deny their part in any conflict or problem. They lie constantly, both deliberately and automatically, and they prematurely quit and give up on tasks, jobs, relationships, and responsibilities that don’t perfectly mirror their idealized views or sufficiently provide for their selfish needs.
Narcissists are exploitative, controlling, demanding, oppositional, manipulative, parasitic, and threatening. They may use blackmail and other coercive tactics to force people to submit to their needs and desires, and they have a high potential for verbal and physical violence when they don’t get what they want. Their sole purpose for entering into relationships with others is to ensure that some desirable result happens for them and them alone.
Narcissists are thoughtless, insensitive, and uncaring towards others. They feel entitled to treat people any way they want and discard them when they are no longer sufficiently providing for their needs. They truly believe they are special and superior to everyone else, and because of this, they make exceptions for themselves related to social and relational standards and rules that everyone else willingly accepts and abides by. They do not value or believe in equality.
Narcissists are limited to dichotomous thinking because they are rigid and inflexible thinkers. Thoughts are all or nothing, good or bad, right or wrong, with no gray area and no middle ground. With narcissists, this dichotomy always works in their favor. For example, the narcissist is always right and innocent, and everyone else is always wrong and always to blame.
Contrary to popular belief, narcissists actually feel a broad range of emotions. However, their impulsivity, heightened arousal, and lack of self-regulating capacity [result] in dramatic, ineffective escalations rather than normal expressions of feelings and internal states.”

Domain Commonly described traits
Self-view Exaggerated sense of importance; overstating achievements or talents; expecting recognition as superior without matching accomplishments
Fantasy and status Preoccupation with fantasies of exceptional success, power, brilliance, beauty, or ideal love; belief that one is special and should associate only with high-status or “special” people
Admiration Strong or excessive need for praise, validation, attention, or admiration
Entitlement Expecting unusually favorable treatment, compliance, privileges, or exceptions
Interpersonal style Using or exploiting others to pursue personal goals; arrogant, haughty, or condescending manner
Empathy Difficulty recognizing, appreciating, or responding to other people’s feelings and needs
Envy Envying others or assuming that others are envious of them

These are the nine standard DSM-derived traits as summarized in clinical and medical sources.[msdmanuals +2]
Important distinctions
“Narcissism” is often used casually, but the literature distinguishes between traits and a disorder.
• Narcissistic traits can occur on a spectrum. Someone may crave approval, be status-conscious, boast, or react badly to criticism without meeting criteria for NPD.
• NPD requires a persistent, inflexible, cross-situational pattern that affects functioning and relationships; a professional diagnosis considers the person’s history, context, and overall psychological functioning.[mayoclinic +1]
• A person can behave manipulatively, lie, betray trust, be abusive, or show black-and-white thinking without having NPD. Those behaviors are serious on their own terms, but they do not establish a diagnosis.
• Conversely, people with NPD are not all outwardly flamboyant or obviously self-confident. Clinical discussion often distinguishes more openly grandiose presentations from vulnerable presentations marked by shame, insecurity, sensitivity to criticism, and defensiveness.[clevelandclinic +1]
Where the clip aligns—and overreaches
The clip overlaps with recognized themes when it mentions grandiosity, entitlement, envy, interpersonal exploitation, difficulty with empathy, and sensitivity to disagreement or insufficient admiration. Those ideas broadly resemble elements in the DSM-based clinical picture.[msdmanuals +2]
But it goes beyond psychology literature when it asserts that narcissists:
• Have “little to no capacity” to care, share, or love
• “Lie constantly”
• Have no loyalty or fidelity
• Always view people only as tools
• Have a high potential for violence
• Are uniformly incapable of cooperation or gratitude
Those are absolute moral claims, not diagnostic criteria. Contemporary clinical discussion also cautions against the blanket claim that people with narcissism have no empathy; empathy may be limited, inconsistent, self-focused, or selectively expressed.[clevelandclinic +1]
A careful plain-English summary
A literature-grounded formulation would be:

Narcissistic personality pathology involves an unstable or inflated sense of self-importance, a heavy reliance on admiration or status for self-esteem, entitlement, and recurring difficulty with mutuality and empathy in relationships. The outward presentation may be boastful and domineering, or more vulnerable and criticism-sensitive. Diagnosis requires a durable pattern across contexts, not an isolated behavior or secondhand account.[msdmanuals +2]