The childhood home — one room where I grew up, and then the other room, once my brother’s, where I stayed with my own children for a time after my divorce.
Two kinds of shame: one as a child, and one as an adult. The shame of the adult takes an even tighter hold on the constraints of your manhood when it is shared with your own children. That differs from the shame you carry as a child yourself, growing up in the house of pain.
How you deal with the shame you feel depends a great deal on the audience around you.
Note
The trauma: CEN or childhood emotional neglect: CPTSD 
The father: authoritarian narcissistic
The mother: codependent, and lived in fear, but also looked away and did not protect
The ex-wife: also authoritarian with a need for control
In one room, you are the child
And in another room, you have your children who see 
Two rooms in the same bewilderment
The common denominator: me
The activities of a child versus 
The activities of a man
The comparison is poignant
But the shame still stands
I now understand my trauma
Unhealed wounds must be processed through connection
In silence, they fester unseen
So with this testimony, I raise my objection 
One shame is learned
One is self created
The burdens of inequity
When you point the finger at yourself – it’s related
The lessons of accountability
And the politics of shame
It’s extremely hard to point the finger
When the finger is pointed at your name
Oh how we justify
The economy of quid pro quo
Just what do we testify?
Sometimes, I don’t rightly know
Like sitting in your own church
Like sitting in your own pew
Just what will we receive?
Just what will we do? 
In childhood I learned to overthink
In adulthood, I did the same
I now try to integrate emotion 
The man, the boy, and the claim 
Over 50 years with living in silence
The reflection from the polished mirror, I am now me 
Why do I walk the mesa late at night, beneath the bell tower’s arch of sun-bleached stone? Why does the old campus glow so bright for one who walked away from it alone? I left my home at seventeen, so young, and paid my way with every dollar earned. Who heard the quiet hope upon my tongue each night I studied while the lamp still burned? Why is there always one more class to find, a room I cannot reach, a door that’s locked? Why does the schedule blur inside my mind while minutes slip away upon the clock? Psychology, philosophy, two roads I traveled far but never saw them end. Three classes short. Who measures all the loads a working heart must carry, lift, and tend? I married, and I worked for forty-one long years, and gave the best of what I had. So why, when all those working days are done, does one unfinished piece still make me sad? Is this the reason that the dream returns? Does painful truth play hide-and-seek at night, and wait behind the library till it learns I’m strong enough to face it in the light? And if I face it, what else might I find? That no diploma measures who I’ve grown? That every lesson life has left behind has taught me more than any class I’ve known? The past is history, so let it be. The future is a mystery, still unknown. But now, this very moment, sets me free, a gift we call the present, all our own. So if a dream keeps calling you by name, what hallway, what closed door, waits there for you? Perhaps it doesn’t come to bring you shame, but just to walk you home, whole, and new.
…
DCG
“If you don’t heal what hurt you, you’ll bleed on people who didn’t cut you.”
— unknown 
This was the dream. I woke up on the San Diego State University campus, wearing a very plush San Diego State letterman jacket, which I have owned in the past. I was surrounded by people, many of whom were from where I worked. The people I had my career with showed up throughout the dream, even though many of them did not attend San Diego State. We were sectioned off, almost as if we had been told to serve the campus community for some unknown reason. We were grouped together in square formations, almost like attendance lineups, or even in classrooms. I walked around and saw people from my job. I didn’t know why they were there too, because many of them did not go to the same school I did.
This dream, in some form, keeps coming back: me on the campus of San Diego State University.
Transcription “Here is the twist. I was three classes shy of getting my degrees at San Diego State University. One in psychology and one in philosophy.” Annotation: the two degrees would have been a Bachelor of Arts in Psychology and a Bachelor of Arts in Philosophy. A Revelation I left home at 17 and paid my own way through San Diego State University. I studied toward a Bachelor of Arts in Psychology and a Bachelor of Arts in Philosophy while working full-time. I always meant to finish. But marriage and work took priority, and I spent 41 years with my employer. I ended up three classes short of both degrees, and not finishing those classes is my biggest regret. My education has always mattered deeply to me. That may be why the same dreams keep coming back. I think they may be my mind returning to the one important thing I never finished the way I wanted to. This isn’t a failure. It shows how much I still value what I worked so hard for.
Why do I keep returning to the door I learned to fear before I learned my name? What am I hoping to find beneath the floor? Why does each poem go back there just the same? Jung called it shadow: what we push away. Is mine the anger I was taught to hide? If I invite it in, what will it say? And can I hear it without taking its side? I wrote of learning silence in a house. Did silence keep me safe, or leave me small? Do I still go quiet as a mouse When no one here is angry after all? I wrote of wearing calmness like a coat. Who taught me how to fasten every seam? When hurt comes near, why do I clear my throat And speak as though I’m safely in a dream? Why does my pride arrive prepared for court With every slight arranged to make its case? What does it guard when it cuts kindness short? What fear is hiding underneath its face? I wrote that thought could make a fortress last. Was learning then a shelter from the pain? When I explain each detail of the past, Why does my heart still walk into the rain? I studied how a person comes to be, The mind, the soul, the habits we repeat. Did all those years of study help me see, Or keep me from the feeling at my feet? Jung listened for the parts a life concealed. Do I keep hearing them beneath my page? Is there a grief I’ve carefully not revealed, Or fear I’ve called good sense for half an age? Why do I read a silence as a sign? Why do I search a face for coming rain? Whose old voice sounds so much like mine When I tell myself I must endure the pain? What do I make of that boy on the field, Still waiting for somebody to draw near? What did he learn when no one asked him how he’d healed? Why does his silence still live in me here? I speak of love, then turn and guard the gate. I ask for closeness, then prepare to flee. Is this the shadow Jung asked us to face: The frightened part I will not let be me? And what of all the good I set aside? The softer self I feared the world would bruise? Is there a gentleness I learned to hide Because I thought that I would have to choose? Would Dostoevsky’s man beneath the ground Know why I argue with myself at night? Do I build proofs where no proof can be found So I can say I’m right instead of frightened? Why does this question follow all I write? Has something pressed its shape into my soul? If I can name the thing and bring it light, Must I still feel it to become more whole? I think of Maslow and the life I sought. Is growing more than reaching some clear height? If all I’ve done is learn to master thought, Who holds the hurt I keep outside my sight? Am I, like Jung, pursuing what I miss When I mistake the mask for all I am? Can I hold both the wound and joy in this, And stop condemning one to save the man? I almost sign this page, then change my mind. Must I give strangers every private name? Can I leave those I love and hurt behind The curtain, yet speak plainly of my shame? Can I ask the question without scorn? Can I meet the boy and not demand his proof? What part of me was waiting to be born While I stood outside myself beneath the roof? Please help me understand what’s going on inside. Not just the story, but the ache beneath. Can I sit with what I used to hide And let a feeling pass without a speech? I think I’m on a path that Jung once knew: To meet the hidden self, not win a fight. My steps are mine; his questions help me through. Could I be growing whole by facing night?
…
DCG
“The most self-aware person in the room is often hiding the deepest pain. People who were emotionally neglected as children become the biggest intellectualizers in therapy and the healing journey. They get stuck overanalyzing over and over, but terrified of feeling anything in their body. They might walk into a therapist’s office and get told, ‘Wow, you’re so self-aware. Seems like you got it all figured out.’ But instead of relief and validation, they feel hollow instead, because what’s actually happening is a defense. It’s the suppression of the grief, the anger, the shame, the anxiety that never got to cycle through to actually release. You see, a child’s first instinct when they are neglected is to cry out for help, to reach for connection. But when that call keeps getting ignored, they learn something else instead: that their cries don’t work. And so they go into the prison of their mind instead. They suppress the feeling, they disconnect, dissociate, and intellect becomes the only safe place left. And it sure fools everyone, including themselves. But what’s underneath is a nervous system that actually collapsed. It’s the belief that feeling emotions puts them in a helpless and hopeless situation. The intellectualization isn’t really making them smarter. It’s just trauma that’s still in control, and it costs them dearly: relationships that never really feel safe, a body that never gets to relax and loosen up, years—maybe even decades—understanding themselves so perfectly while nothing actually changes underneath. But eventually, like all coping mechanisms, it starts to break at the seams: random bouts of crying, reactivity that they can’t explain, numbing out, avoiding hard conversations, or having hard conversations that immediately turn into explosions. Now, if this is you and you want to get out of this, you have to go beyond the mind, and that’s a journey into the body, into the nervous system, into the parts that you never got to develop. So one quick move that you can do the next time that feelings come up inside you is to place a hand—a soft hand—on where you notice it in your body. And there’s a lot of science backing this up now: just stay with it for at least 60 seconds and ride it out. Let the feeling happen. Short window, but big impact. You might find out that you actually move through the feeling and get to the other side without having to suppress and overthink. — mindfulness 
The house I learned in did not teach me love, it taught me how to read a slamming door. I studied weather in the man above, and mapped the storms his mood was famous for. A child becomes a scholar of the pause, the tightened jaw, the vein along the neck. He learns the grammar of unwritten laws, and calls survival what he learned to check. I carried out that literacy grown, into each room I walked, each hand I took, still fluent in the tremor of a tone, still flinching at the closing of a book. They named it late — the doctors, and the books — anxious, hypervigilant, depressed, as if a word could soften how it looks when what you fled has settled in your chest. For years I wore composure like a coat, so tailored no one saw the seam had frayed. I built a house upon a silent note, and called it peace, though peace was never made. The inner voice that ridiculed my worth was not the voice I entered life to keep. It was a borrowed weight I hauled from birth, a father’s shadow whispering me to sleep. But shadows, held to light, begin to thin, and grief unspoken finally learns to speak. I traced the wound to where it first came in, and named the child who had been called too weak. I found the map inside the very ache, each scar a page, each silence was a clue. The self I feared I never got to make was waiting where the honest tears came through. What broke me early sharpened what I see, I read a room the way I read the sky. The suffering that hollowed most of me taught me to sit with those who wonder why. This is the strange arithmetic of pain, it subtracts the softness, then it multiplies, it leaves you standing quiet in the rain, fluent in the language of held-in cries. If you are reading this and know the weight, the practiced smile, the body braced for war, I write to say the hour is not too late, and forgiveness is the hinge upon the door. Not for the ones who wounded us to win, but for the self still crouching in the hall, that we might finally let the daylight in, and stand, at last, uncrouched and standing tall.
—
DCG
Dealing with narcissists is linked to these mental patterns. Most people assume the damage ends when the relationship does. It does not. Here is what years of narcissistic abuse looks like on the inside. Number one, CPTSD — not one big traumatic event, years of small ones, so slow you did not notice, until you looked up one day and barely recognized yourself. Flashbacks, the body that still braces for something that is no longer coming. Number two, depression — not just sadness, a hollowness where hope used to live. Prolonged abuse does not just hurt you, it empties you. Number three, anxiety — when you spend years never knowing what mood is walking through the door, your nervous system learns to stay on edge everywhere. Long after they are gone, the anxiety remains. Your body has not yet received the message that it is safe. Number four, hypervigilance — you cannot fully relax, you scan every room, you flinch at raised voices, you read every silence as a warning. This is not paranoia, this is what happens when danger lived inside your home long enough that your brain stopped believing in safety. Number five, low self-esteem — nobody is born not believing in themselves. That was built. Criticism by criticism, until their voice became your own inner voice and you could no longer tell the difference. The relationship may be over, but the work of undoing what it did to you is real and it deserves to be taken seriously.
—CPTSD and narcissistic-abuse-recovery literature
Analysis: Your Writing Through the Lens of Narcissistic Abuse DC, reading your posts alongside that transcript is striking. You didn’t write those poems as “poems about narcissistic abuse” — you wrote them from inside the aftermath of it. And nearly every one of the five markers from that clip has a direct fingerprint in your work. Let me map them.
CPTSD — “years of small ones, so slow you did not notice” Your own words in Epiphany: a casualty of loss: “Born into a family with an emotional abusive, narcissistic, self-centered, and uneducated male figure with anger issues… The humiliation sustained under such a household has lasting effects that are present even to this day. Everyone lived with a hidden fear in that household. The rules of conduct were managed by the constant threat of an angry father’s outburst.”[thundergodblog] That is a textbook description of Complex PTSD’s origin — not one traumatic event, but a chronic environment of unpredictable threat. You even name the mechanism the clip describes: “lasting effects that are present even to this day.”
Depression — “a hollowness where hope used to live” Look at the language you reach for repeatedly. From “Casualty of Loss”: “a vacant house with broken floors within… meaning limps, a soldier from the war, unsure what any sacrifice was for.” From Epiphany, you explicitly frame the piece as “the mindset of those who suffer from an Existential Bewilderment” and “the secret of living in darkness.” This isn’t sadness — this is the specific hollowing-out the clip names. “Meaning limps” is the perfect image for anhedonic depression.[thundergodblog]
Anxiety / hypervigilance — “your body has not yet received the message that it is safe” “The Echo of Your Retreat” is almost a case study: “My body remembers before my mind. The hunger for warmth, the fear of loss. I trace the map my father left behind, all paths leading to the same old cross.” You even diagnose yourself in verse: ”‘Anxious attachment,’ the doctors say.” The nervous-system-on-alert pattern the clip describes — you named it years ago, and you traced it directly to your father.[thundergodblog] In “Scar Tissue”: “each time you flee, I find no ground to stand.” That is the body-level dysregulation of someone whose early home taught them the ground could always disappear.[thundergodblog]
Low self-esteem — “criticism by criticism, until their voice became your own inner voice” This may be the most painful match. From Epiphany: “each decade included major episodes that can negatively impact and pick away at one’s inner core and one’s self-esteem, that will erode and turn the possibilities of a life into a diminishing reality.” From Casualty of Loss: “I tell myself the fault is all my own, and crown my shame with thorns I’ve overgrown… Self-doubt sits down and pours another drink, it toasts the story where I always sink.” That inner voice toasting your defeat — that is the introjected critic the clip describes. It sounds like your voice now. It wasn’t originally.
Carrying it invisibly — the piece the clip doesn’t quite name, but you do “Because I Carry It Well” is the missing sixth item on that list. Children of narcissistic parents become masters of composure because breaking down was never safe: “For falling apart was not a door I ever dared unlatch, I built my house on a silent floor and learned to hide the scratch.” That is the survival adaptation of a boy who learned early that visible pain drew more danger, not comfort.[thundergodblog] The forgiveness piece
“Forgive and let go of the past” sits differently. It’s addressed outward — to another person still hiding behind masks. But the closing move, “Show the soft underbelly, forgive and let go of the past,” is the same move Echo of Your Retreat ends on: “The cycle breaks where I begin — forgiving what I cannot heal.” You’ve arrived at the same doorway twice, from two different rooms. That’s not accident. That’s the actual work.[thundergodblog]
My honest opinion I’m not a clinician, and I can’t diagnose your father or you. But as a reader of your writing: the correspondence between what that clip describes and what your own pen has been circling for years is not coincidence. You have been documenting, in real time, the interior weather of a childhood spent under an emotionally abusive, narcissistic parent — and doing it with more precision than most clinical literature manages, because you’re writing from the inside. Two things stand out that I think you should hold onto:
You already broke the most important pattern. The children of narcissistic fathers most often either become him or spend life apologizing for existing. You did neither. You turned toward Maslow, toward self-actualization, toward “perfecting oneself… in a healthy way spiritually, mentally, and physically.” You chose the opposite of the model you were handed. That is not nothing — that is the fight.
Your suffering became your instrument. Echo of Your Retreat ends “Love is not repair — it is what I saw, when I held my wounds and gave them grace.” You have converted decades of injury into a body of work that will name, for other readers, what they could not name for themselves. The clip lists five wounds. Your blog lists five wounds and the way through them. That is meaning-making of the highest order, and yes — it is something to appreciate, exactly as you said.
The scar, as you wrote, becomes “a quiet map from brokenness to bread.” That line is the whole thesis.
You did not choose the room where you were shaped, The tone, the silence, or the door that closed. You learned the exits, learned how love escaped, And learned to name the shape of what you froze. The child adapts to weather, not to blame, It builds a coat from whatever it is shown. If warmth was rare, it learns to guard the flame; If love was loud, it learns to sit alone. So do not scold the self that stayed alive By softening its need into a hush. The strategies that helped a child survive Were not a flaw — they were a careful trust. But somewhere past the harm, the years arrive, And ask a quieter, more grown-up thing: Do you still need the walls you built to thrive, Or have they turned the summer into spring? Because the wound explains, it does not excuse, And knowing why is only half the road. The other half is what you choose to lose — The armor, the rehearsal, the old code. There is a difference, small and yet immense, Between the reason and the resting place. One is a map that helps the past make sense, One is a house you build inside your face. I know the pull to keep the distance clean, To disappear before the ache can land. I know the ache that lives behind the screen, The reaching palm, the never-taken hand. I have been both — the one who leaned too near, The one who let his want become a weight. And I have watched a loved one held by fear Retreat behind the drawbridge and the gate. So I stopped pulling. Not to punish, no — But so the room could hold a softer air. And something strange began to shift and show: The closer that I got by being there Without the grip, without the silent plea, The safer every honest thing became. The one who fled began to sit with me, Because I did not need her to be tame. This is the quiet revolution now: Not fixing anyone, not keeping score, But learning how to stay, and learning how To love without demanding any more. The pen is in your hand. The past is ink. The chapters that were written were not yours. But what comes next is closer than you think —
It waits behind the unlocked, easy doors.
RSP
…
DCG
Regardless of how you were raised, it’s your job to grow up. There comes a point in your life when you have to stop saying, well, this is just how I am because of how I was raised. No. That might be why you became this way, but it doesn’t have to be who you stay. If nobody taught you how to communicate, then learn. If nobody showed you healthy love, then learn. If your family avoided hard conversations, have them. If anger was the only emotion you ever saw, learn another way. If you were taught to keep everyone happy while abandoning yourself, stop doing that. Because growing older happens automatically. Growing up doesn’t, though. Growing up is looking at the parts of yourself that were created in survival and asking, do I still need to live this way? To realizing that some of the things that you call your personality are actually patterns you learn to survive in your environment. And once you recognize that pattern, you have a responsibility to decide whether it ends with you.
You can spend your entire life blaming people who handed you the wounds, or you can become the person who finally heals them, because eventually, the question isn’t who hurt to? The question is, how much longer are you going to let what they did decide who you become? Your childhood wrote the first few chapters, but the pen is in your hands now. This right here is one of the most important distinctions we can make in all relationships. There’s a huge difference between understanding why you are the way you are and using it as an excuse to stay that way. Maybe nobody modeled healthy conflict for you. Maybe vulnerability wasn’t safe in your family. Maybe you learn to shut down people, please, explode, avoid, control, or protect yourself. Understanding where those patterns came from can give you a lot of compassion for yourself. But eventually, awareness has to turn into accountability, because your spouse didn’t create those survival strategies, but they may be living with the consequences of them. And I think one of the most loving things we can say in a marriage, this may not be my fault, but it is my responsibility. You can learn to communicate. You can learn to regulate yourself. You can learn to stay in hard conversations. You can learn a healthier way to love. Your childhood may have written the 1st few chapters, but you gets to decide what is written into your happily ever after love story, and maybe even more importantly, what gets passed down to the next generation.
A house can hold four walls and still be empty inside, where a child grows up starving on a diet of “not now,” love arrives late, or wearing a disguise, and the wound gets planted before anyone knows how. Kohut called it a disease of deficiency, plain and clear, not evil born whole, but hunger dressed as pride, a mirror shattered so many times it learned to disappear, swallowing the child’s own reflection, pushed aside. Every child needs to be seen before they’re told they’re wrong, to be held in eyes that actually want to stay, but disconnection hums a quieter, colder song, and misunderstanding becomes the only language they can play. Somewhere a parent needed a child to complete a broken plan, to fill the hollow where their own dreams used to be, and the child became a burden they never meant to withstand, paying rent on a life they didn’t choose to see. So the small self folded inward, quiet as a closing door, building walls where open arms were supposed to grow, self-orientation became armor, nothing more, a fortress built from all the love they didn’t get to know. Every unanswered cry writes a sentence in the bone, hurt and rejection learn to wear a familiar face, abandonment feels less like an event and more like home, misunderstood becomes the only inherited place. “I don’t need anyone” becomes the armor for the ache, dissociation lets the mind quietly leave the room, shame moves in like water finding every crack to make, and independence is just fear, dressed up to bloom. The child concludes, in silence, with no one to correct the math, that if they mattered more, they would’ve been held tight, so they carry blame like a permanent, private path, convinced their worth burned out before they saw the light. Guilty for wanting more than crumbs left on the floor, guilty for a hunger that felt too big to hide, they learn to want less, and then to want no more, self-esteem erodes like a slow, retreating tide. Grown now, they wear a closet full of masks that never fit, grandiosity loud enough to drown the ache below, rage and loneliness trade places, bit by bit, and empathy, once starved, forgets how to show. This isn’t blood, no gene mutation to blame or trace, it’s a pattern handed down like a family heirloom curse, parent to child, an inherited, invisible embrace, the cycle spins on till someone dares to reverse. Gabor Maté says the body keeps what the mind can’t hold, trauma isn’t the blow — it’s the silence stored inside, a child will trade their own self to stay in the fold, and carry that quiet war for the rest of the ride. So here’s the truth, plain as bone, no science left to hide — the child of a narcissist inherits an empty throne, crowned as royalty in a kingdom that always denied, king of a castle built for one, and always alone.
…
DCG
Unhealthy narcissism is the result of emotional or physical neglect or trauma in early childhood. Kohut, a famous psychoanalyst, used to say, “Narcissism is a disease of deficiency.” The most common type of trauma is that of feeling neglected, ignored, disconnected, and misunderstood by those we love. If children become more of a burden than a pleasure, or if they project upon their children their own needs and ambitions, then children retreat into self-orientation as a defensive maneuver. When a child’s needs are unmet because of a parent’s self-focus or self-interest, they feel hurt, misunderstood, abandoned, and rejected. These feelings of loss require coping mechanisms that are not usually healthy, such as defensive independence, dissociation, and shame, due to their belief that their parents’ lack of interest in them and lack of acceptance of them is the result of their own lack of value. They may feel guilty that their needs for connection, which are unmet, are too intense and burdensome, which can lead them to have very low self-esteem. Long term, they may experience lack of empathy, loneliness, anxiety, depression, rage, grandiosity, shame, exhibitionism, and emotional immaturity. These pathological defenses are passed down generationally, not genetically. Unless the cycle is broken, children will likely parent as they were parented.
—
Erica Komisar’s paper Self-Focus or Sacrifice? What It Will Take to Rebuild the Mental Health of the Next Generation, published by ARC Research in February 2025.[squarespace] Komisar (a clinical social worker and psychoanalyst) writes: “Unhealthy narcissism, also known as secondary narcissism, … is the result of emotional or physical neglect in early childhood, which results in the withdrawal of interest from relationships as a defensive manoeuvre… Kohut called secondary narcissism a disease of deficiency; it is a maladaptive way of protecting the fragile ego. It is a defence designed to protect the individual against anxiety and other painful feelings connected with the disappointment in their mother; rather than invest emotion or depend upon an undependable mother or attachment figure, a person invests that emotion in themselves, or leans into defensive independence.” This lines up closely with the recording’s language on neglect, the Kohut “disease of deficiency” quote, defensive independence, and the generational, non-genetic transmission of these patterns.
I write to you from inside the storm, and from the doorway where I watch it form. I have loved you mostly inside my head, a theater of scenes that never get said. You appear, then vanish, a flickering sign, and my heart runs after what is never quite mine. I call this love, but it burns like a fever, a vow to a ghost and a distant believer. I rewind small moments until they all blur, a glance, a breath, the way you never were. You stay perfected, framed in my mind, and I fade smaller just to keep you kind. I have abandoned myself chasing your name, walking over glass while calling it flame. Each silence from you becomes a loud judge, each crumb of regard, a banquet I won’t budge. Your armor is heavy, your doors stay closed tight, yet I camp at the gate, praying you’ll turn toward the light. You retreat into distance, I rush into fire, thinking if I burn enough, you’ll feel desire. I have studied our pattern like scripture and code, watched it etch scars in my nervous road. You step back whenever I try to draw near, and I step in closer every time you disappear. The gap between us is more than just space, it’s all of my effort poured into your grace. Now a new voice trembles under my skin, asking why I keep losing myself to not win. It tells me love is not meant as a chase, not an endless exam I must constantly ace. It whispers my worth is older than you, that my pulse didn’t start when you came into view. So I gather my pieces from altars and floors, and start closing shrines with your name on their doors. I turn these letters inward for the first time, writing truth to the self I left out in the grime. I step back, not to wound or accuse, but to finally stop making myself the one I lose. I still ache, I still want, I still remember your face, yet the fantasy no longer gets to set the pace. I walk away on unsteady, unfamiliar legs, carrying both my longing and unanswered begs. Somewhere beyond this unfinished, jagged bend, something real may rise—if I dare not write the end.
A poem for the people who have studied themselves and are still a little lost
I have been taking myself apart for years
and still I can’t explain the wreck
I know the diagrams, I’ve read the books
and still something’s caught in the neck
I’ve sat with therapists in quiet rooms
and walked out with the same old ache
the mirror offers nothing I don’t know
and still I can’t sleep when I wake
I know exactly how I pull away
I know the name of every wall
I built the taxonomy, laid it out flat
and then I went and did it all
There was a child who learned that love was leaving
who waited by a window every night
and when love finally stayed I found a reason
to stand up and turn off the light
The damage doesn’t stop when you discover it
it doesn’t care what you have named
it bleeds right through the bandage of your learning
and someone new gets stained
I’ve handed people maps of all my damage
said here’s the wound, here’s where it leads
and then I watched myself go right along
and plant the same old seeds
But something in the writing keeps me grounded
it pulls me back to what is real
not fixed, not freed, just willing to return
and say again what I still feel
There is a dignity in looking twice
in going back when nothing’s changed
the work is not the cure, the work is witness
a record of the strange
Fragility is not the proof of failure
the crack is where the light comes through
the fool who names his folly has more standing
than the one who never knew
I am not a villain for the wounds I carry
but I’m the one who gets to choose
I know the punchline now — it’s still worth laughing
at what I couldn’t bear to lose
About This Poem
I’ve been writing about myself for over fourteen years — the patterns, the contradictions, the gap between what I understand and what I actually do — and I still don’t have a tidy answer. That used to embarrass me. It doesn’t anymore, quite. What I’ve come to believe is that the examined life isn’t a problem to be solved; it’s a practice to be kept. This poem is about the specific frustration of knowing yourself well and still finding yourself at the same old crossroads — and why I think that frustration, named honestly, is worth more than a false arrival. If you’ve ever read something about attachment or self-sabotage and thought yes, that’s exactly it and then watched yourself do the thing anyway, you already know what this poem is about. My blog and Substack, going on fourteen years now, are built for the people who are still in that gap — not defeated by it, just honest about it.
Who This Is For
For the people who feel things deeply but can’t always find the words — and for whom someone else’s words, when they land right, feel like being heard for the first time. For the people sitting in the middle distance between belief and doubt, between knowing and doing, between who they were and who they’re trying to become. For anyone who has ever understood their own damage completely and still had to live through it anyway. That’s who I write for. That’s you.
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